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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Beauty

Fr. David Friel · May 3, 2020

Throwing Away Our Birthright of Beauty

Thoughts from St. Athanasius the Great

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Fr. David Friel · April 2, 2020

Repeating Repertoire? • Father Friel

The merits of repetition and variation.

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Fr. David Friel · February 17, 2020

Imposing the Classical Style on Public Building Projects?

A rumored executive order would unify the architectural style of future projects and upgrades.

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Andrea Leal · January 29, 2020

In Which a Neo-Pagan Converts

I could feel that this Glory was immense, and mysterious, and real. But I could not quite grasp what that meant for me or what I should even do about it.

Fr. David Friel · January 20, 2020

Sir Roger Scruton

Roger Scruton, Magister Pulchritudinis

Sir Roger Scruton died January 12, 2020, leaving a mammoth legacy in the field of aesthetics.

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Fr. David Friel · November 9, 2019

The Gratuity of Beauty

Thoughts on the Feast of the Dedication of the Lateran Basilica

Fr. David Friel · September 24, 2019

Art of the Beautiful Lecture Series 2019-2020

A project of The Catholic Artists Society in NYC

Fr. David Friel · January 27, 2019

Formed in Beauty Lectures

Videos have been posted from the 2017 & 2018 conferences of the Catholic Art Guild

Fr. David Friel · January 14, 2018

Should Liturgy Be Practical?

A Thought from G.K. Chesterton

Fr. David Friel · April 2, 2017

Two Articles Worth Reading

On “Liturgiam authenticam” and the Crisis in Art

Fr. David Friel · March 15, 2017

Dunwoodie Chant Conference • Review of a Successful Event

I was renewed in spirit for a future filled with hope for liturgical music.

Veronica Brandt · March 11, 2017

A CD from on High for Benedictines in Tasmania

A new CD you don’t have yet full of beautiful music raising funds for bringing more beautiful music to Tasmania.

Fr. David Friel · February 26, 2017

The Purpose of Art

Considerations from Tolstoy

Fr. David Friel · January 29, 2017

Conference Updates

Dunwoodie Chant Conference & Sacra Liturgia Milano

Fr. David Friel · January 1, 2017

New Details on Dunwoodie Chant Conference

“Gregorian Chant in Pastoral Ministry and Religious Education” — March 10 & 11, 2017

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Been to Catholic church and heard Mass. Execrable music! Organ played by a young girl who made impossible harmonies. Sermon very long. The preacher screamed loud enough to tire his lungs. The congregation was affected.”

— Louis Moreau Gottschalk (8 May 1864)

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