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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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The Saint John de Brébeuf Hymnal

The Saint John de Brébeuf Hymnal

INE ASSOCIATES of Corpus Christi Watershed were chosen to help produce the Brébeuf Hymnal, which (according to one of the main authors for the CHURCH MUSIC ASSOCIATION OF AMERICA) “has no parallel and not even any close competitor.” A member of the CATHOLIC ORGANIST GROUP wrote: “I have never encountered such a prolific and astoundingly interesting hymnal; I just read it for an hour and I’ve barely scratched the surface. I’m hanging on every word. It could easily stand as a primary text to a course, and is almost overkill as a pew aid.” The Brébeuf Hymnal contains three times as many hymns as its competitors. The Brébeuf series—sold exclusively by SOPHIA INSTITUTE PRESS—was designed by and for priests and musicians serving in real parishes across the globe.

*  Pew Edition • Purchase the Pew Edition (932 pages)
—Contact SOPHIA INSTITUTE PRESS for bulk discount rates.
*  CHORAL SUPPLEMENT • Purchase Link (1,192 pages)
—Must be used in conjunction with the pew edition.
*  ORGAN ACCOMPANIMENT • Three Volumes (1,292 pages)
—Sold by SOPHIA INSTITUTE PRESS; Spiral-Bound; extremely opaque paper.

The Brébeuf Portal:

* SEARCH THE HYMN PORTAL

This powerful and innovative portal can be searched for numerous hymn items. For example, search the portal for “EUCHARIST” and tons of Eucharistic hymns come up—as this result shows. You can also search for all instances of a particular melody found in the Brébeuf Hymnal. For example, when you search for the melody called “MELCOMBE,” the portal instantly pulls up these results. For tunes used no more than once in the Brébeuf Hymnal, the results reflect that. For example, if you search for the beautiful tune called “WHITEHEAD,” you get just one result (because that melody is only used once in the Brébeuf Hymnal). If you search for the ancient Latin hymn “Ad Cenam Agni Providi,” the results are splendid. Searching by liturgical season is highly recommended. For example, if you search for “ADVENT,” you get excellent results.

Access any hymn with ease! Simply type digits into the URL address shown below. (For example, #802 would be: https://www.ccwatershed.org/brebeuf/page/802/.)

(Brébeuf Hymnal) • Sample Pages
You can immediately download fifty-seven sample pages completely free of charge. Included are pages from the choral supplement & organ accompaniment volumes. In some ways, viewing these sample pages is the quickest way to learn about this exciting new book.

(Brébeuf Hymnal) • Complete Indices
You can download the complete index for the Brébeuf Hymnal. Mrs. Veronica Moreno has also uploaded a handy “seasonal index” that can be downloaded here.

(Brébeuf Hymnal) • No More Stacked Lyrics!
Lyric “stacking” has a number of major disadvantages. (If you’re confused about what “lyric stacking” is click here.) For example, when the keyboard player simultaneously serves as CANTOR, it’s virtually impossible to play all the notes correctly while attempting to sing “stacked” lyrics—especially if the hymn is unfamiliar, once you get past the first few verses. The Brébeuf Hymnal has solved this problem once and for all as you can see.

(Brébeuf Hymnal) • Additional Questions?
We’ve compiled thirty-five articles about the Brébeuf Hymnal published in various media outlets to help answer all your questions. We have included third-party reviews.

“Are These Hymn Titles in Latin or English?”
A very important thing to grasp!
Natalia explains in this video:

Here’s the direct URL link.

Free Rehearsal Videos
More than 1,000 and counting!
Natalia describes them in this video:

Here’s the direct URL link.

Alphabetizing Hymnals
Does it make sense?
Natalia answers in this video:

Here’s the direct URL link.

Notating Every Verse?
The least we can do for singers!
Natalia explains in this video:

Here’s the direct URL link.

Why Name a Hymnal After Father Brébeuf?
Who Was This Saint?
Natalia explains in this video:

Here’s the direct URL link.

What Are Its Two Sections?
Truly crucial information!
Natalia explains in this video:

Here’s the direct URL link.

Stations of the Cross by Fulton J. Sheen?
Plus Cardinal Ratzinger & Saint Alphonsus Liguori.
Natalia explains in this video:

Here’s the direct URL link.

Common Hymn Melodies
(a.k.a. “Shared Tunes”)
Natalia explains in this video:

Here’s the direct URL link.

The Father Brébeuf Hymnal is distributed exclusively by SOPHIA INSTITUTE PRESS, and has been featured in their Annual Report. Corpus Christi Watershed is a 501(c)3 public charity. In the interest of full disclosure, any artists who contributed to the Brébeuf hymnal—texts, melodies, harmonizations, artwork, and so forth—receive standard royalties. Please contact Sophia Institute Press with questions about the Brébeuf Hymnal: liturgy.sophiainstitute.com. Beautiful and powerful images of Saint Jean de Brébeuf—one North America’s patron saints—can be downloaded by clicking here.

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ”
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae, published in 1969 by the Vatican—bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“We cannot approve of the attitude of those who use the problems raised and discussed by the Council to create in themselves and in others an attitude of unrest and a desire for radical reformation, as if the Council gives every private opinion a chance to destroy the heritage of the Church. acquired during Her many centuries of history and experience.”

— Pope Paul VI (30 June 1965)

Recent Posts

  • “Samaritánæ”
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.