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Corpus Christi Watershed

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Views from the Choir Loft

Our Editorial Policy

UST BECAUSE YOU SEE something published on our website, that doesn’t mean all our contributors agree with it. Nor does it de facto mean our editorial team endorses it. In the olden days, music journals often published opposing viewpoints. Here at Corpus Christi Watershed, we sometimes follow that tradition. Needless to say, we would never permit views contrary to the holy Catholic Faith—but when it comes to musical matters, we don’t rule out opposing views. Those bothered by disagreements (e.g. disagreements over plainsong rhythm) should skip those articles. Our volunteers have produced something like 40,000 PDF scores, Mp3 files, and rehearsal videos. Therefore, there’s plenty of variety for everyone to enjoy on our blog!

Over the years, we’ve received
beautiful emails of encouragement.
We cherish such messages.

Submitting a Guest Article:

We welcome guest submissions! (Remember that not every submission will be published.)

Formatting Your Submission • We have good reasons for our requirements. We want your article to look sensational. You’ve probably noticed our blog entries are usually tiny “works of art”—rather than “cut and paste.” If you employ special formatting, your article might have a greater chance of being rejected. Please avoid any special formatting. By “special formatting,” we mean text that has been aligned to the right or center, funky line spacing, footnotes, endnotes, and/or anything else that won’t display correctly on the various web browsers (and iPhones) that read our blog articles. However, if it is absolutely necessary, you may include a paragraph or so in blockquote:   <blockquote></blockquote> Your submission ought to look like this. On our blog, it will actually turn out like this.

Final Reminders • Please send a picture along with your submission. If you don’t have a picture, please indicate what sort of picture you’d like, and we’ll take care of the rest. Using bold letters, underlined text, or colored text is not allowed. If you wish to emphasize a particular idea, careful and skilled writing will suffice. It is allowed to use italics, but you must add them yourself, using the following code:   <em></em> Your blog submission ought to be sent to us in one of the following formats:

(a) .TXT document  (b) .DOC file  (c) .PDF document

Please email your submissions to us: chabanel@ccwatershed.org.

No Taking Down:

Articles’ Permanence • Upon acceptance for publication on the CORPUS CHRISTI WATERSHED website, articles and musical scores are considered a permanent part of our archive and will not be removed. As a 501(c)3, we will not allocate donor-funded resources toward retroactively ‘unpublishing’ content or repairing the broken links such removals would inevitably create across our site. It would also annoy readers to have scores and articles appear only to disappear later.

Suppose you submit an article (or musical score), declaring: “I want you to publish my creation, but only for 896 days. After 896 days have elapsed, I will rescind my permission, and the content must be removed.” We will never accept terms or ‘provisos’ like that. Needless to say, we do reserve the right to remove articles for any reason—or for no reason at all. During our twenty-year history, such a thing has happened (although it’s extremely rare).1

1 For example, we published some articles by a particular musician. Later on, this person was caught engaging behavior that was. As a result, all contributions by that person were removed. While we regret publishing them in the first place, we cannot be expected to know the future.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

There is a lack of that kind of organization which favors mature judgment. Move on, move on, get it out. Schemata are multiplied without ever arriving at a considered form. The system of discussion is bad … Often the schemata arrive just before the discussions. Sometimes, and in important matters, such as the new anaphoras, the schema was distributed the evening before the discussion was to take place … Father Bugnini has only one interest: press ahead and finish.

— Cardinal Antonelli (Peritus during the Second Vatican Council)

Recent Posts

  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)

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CONTACT • Corpus Christi Watershed

1 (747) 218-8005
chabanel.psalms@gmail.com
Corpus Christi Watershed
8118 Etienne Dr
Corpus Christi, TX 78414

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Corpus Christi Watershed is a 501(c)3 non-profit organization recognized by the state of Texas on 19 October 2006. Our statement of purpose notes that we “employ the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.”