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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Failure, The Liturgy, & Today’s Mr. Know-It-All

Jeff Ostrowski · May 27, 2013

SUBMITTED AN ARTICLE to Homiletic & Pastoral Review, which is a wonderful publication, but it was rejected. Let me explain what happened.

I’ve been published in HPR in the past. About two years ago, I started considering submitting another article, and after a few months, I finally found the time to sit down and write it. Then, I had to wait for it to be proofread. Then, I finally found the time to place it in the mail (summer 2012). Their organization recently changed editors, and they lost my submission. I sent it again. Finally, on 20 November 2012, they said they enjoyed the article but decided not to print it. The priest who rejected it was very professional, polite, and encouraging.

So, here’s my dilemma: the process took so long, I don’t even like my article anymore! Here it is, in case you want to read it:

      * *  Moving Forward with Liturgical Reform: Positive Steps [pdf]

I’m beginning to wonder if I should continue to write articles. Has anyone had a similar experience? Feel free to share your thoughts in the combox.

REMEMBER: I’m not saying HPR should have printed my article. They probably get hundreds of wonderful submissions. I’m merely relating what happened.

I BEGAN TO PONDER ARTICLES. What is an article? Is it only to be published when it contains newly-discovered information? It seems to me that certain successful authors publish the same ideas over and over.

In a certain sense, we live in a very strange age. We are taught never to use the personal pronoun “I” when writing articles. We are told we must project the image of an omniscient, objective, modern “scholar,” and personal pronouns detract from this. How ironic, since ours is the same age that denies the existence of absolute Truth! In graduate school, we had to attend numerous conferences and symposia where papers were presented by musicologists who could barely play a C Major scale. We listened to presentations on the great choral works of history from theorists who could not even sing in tune. One time, a professor marked an error on my paper because I had pointed out an interesting fact about a certain composition. His red pen wrote, “Let your readers decide if that is interesting.” I’m sure he wanted me to congratulate him on how “objective” he was. By the way, I just committed a sin by writing, “His red pen wrote.” Another one of my professors would have asked me, “Did HE write, or did his PEN write?” Enough. You get the point.

If only our modern day “know-it-all” professors would take the time to look back into former decades, they would see that musicologists and theorists who actually knew their stuff did indeed use the personal pronoun “I” throughout their works. They were not at all embarrassed to say things like, “I have not found any mediaeval source containing such-and-such.” They were quite comfortable in their own knowledge as well as the fact that they were not infallible. We need more scholars like them!

The worst is when I see an article by somebody touted as “one of the leading experts on the Catholic liturgy.” I’ve pretty much “seen it all” in this regard. I’ve seen articles published about the liturgy by “scholars” who are comfortable preaching heresy. I’ve seen articles on the liturgy by Bishops who don’t even say Mass each day (according to people who work for them). I’ve seen articles on the liturgy published by “priest scholars” who don’t even say their office each day and allow every manner of terrible music at their Masses.

In fact, only those who have suffered can understand the liturgy. And only those who understand the liturgy ought to publish articles about it.

At the liturgy, we come face-to-face with God. Imagine! And we can pray to Him, telling Him all our troubles, worries, and woes.

In some ways, the Canon and the Propers are the most moving parts of Mass. You might ask, “Why the Propers? Why not the Readings.” The answer is the same reason which accounts for the popularity of Blogs. Blogs are popular because the entries are not too long, and we have short attention spans. The same with the Propers: they pick out the perfect little “nuggets” to carefully reflect on.

Where else can we go and enter into anything of such antiquity? Many of these prayers go back untold ages. All of a sudden, images confront one. Emperor Heraclius, Thomas Aquinas, Pope Hadrian, Saint Augustine, and a thousand others. Especially during the Roman Canon, when the names of so many ancient saints are recounted. Especially when the Canon is read with love and care, as in this audio excerpt by Most Rev. Bishop Gracida. Especially in the quiet solitude of one’s soul.

Some people think that the mere fact of owning a lot of old books with copious footnotes makes one a scholar. I promise you, it doesn’t. Only those who live the liturgy ought to write and speak about it. Books are books. People are people. God is God. Life is not the internet. Life is not fancy footnotes. Life is being in communion with God, and the liturgy allows us to do this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

  • PDF • “Music List” (4th Sunday of Advent)
  • PDF Download • “Santo Santo Santo”
  • Crucial Tips • “Teaching Children How to Sing”
  • Soloists in Gregorian Chant?
  • PDF • Our Lady of Guadalupe (12 Dec.)

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