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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

2025 10 12th • “A Surprising Irony”

2025 10 05th
“A Surprising Irony”

EARNING SOMETHING ironic makes it ‘stick’ in our memory. For instance, the EMANCIPATION PROCLAMATION is rather paradoxical because by that document, Abe Lincoln freed slaves living in the confederate states but not the border states. Surely we can all agree that slavery is wrong everywhere—not just in certain states! When it comes to the 1960s liturgical reforms, we likewise see a striking irony regarding texts proclaimed in the vernacular. It was believed that an enormous amount of texts could be inserted into the Mass, so long as they were in the vernacular. On its face, that seems quite reasonable. But something unexpected happened. Congregations preferred to read.1 Indeed, at the cathedral where I worked for half a decade, each member of the congregation read along with every reading. The lector’s job became superfluous—and some felt insulted.

Just placing something into the vernacular doesn’t guarantee intelligibility. Consider the verse we’ve been hearing at Communion over the last few weeks: “How can a youth remain pure? By observing your word.” Those unfamiliar with Psalm 118 might (erroneously) hear: “How can a youth remain pure by observing your word?” That changes the meaning completely … bringing it close to heresy!

There will always be those who say: “I demand that everything be instantly intelligible at Mass, without any effort on my part.” But that will never be true. The sacred liturgy must take into consideration not just newcomers, but also lifelong Catholics. Imagine being forced to “learn” the alphabet every day, over and over again. Which of us would stand for that?

In conclusion, the vernacular brings certain advantages; but we must never fail to “do our part” by becoming familiar with our Faith. For instance, during the Creed we declare that Jesus “descended into hell.” Our Savior did not descend into the hell of the damned—but to know that requires study.

1 Here at Saint Mary’s, the acoustics are excellent—so it isn’t necessary to follow from a book. But many other parishes aren’t so lucky.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

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  • “Holy Name Hymn” (2-Voice Arrangement)

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