Views from the Choir Loft

Articles

Fr. David Friel · January 27, 2013

Confessing Our Sins

How Do You Say…

Jeff Ostrowski · January 26, 2013

Tribute To Monsignor Francis P. Schmitt

“There is only one way—to be a man of prayer and a man of faith: to be a man in love with and imbued with Christ’s life.”

Richard J. Clark · January 25, 2013

Full and Active Preparation – ora et labora

For the sacred musician, full and active participation not only includes mindfulness during mass . . .

Dr. Peter Kwasniewski · January 24, 2013

Musical Harmony Softens Hard Hearts

Saint Hildegard of Bingen, pray for us!

Cynthia Ostrowski · January 23, 2013

Catholic Line Art, Black and White • Installment #03

I will be releasing hundreds of these B/W religious line art drawings for free and instant download.

Richard J. Clark · January 23, 2013

A Simple SSA Offering

A beautiful model of the evangelization we must do in our churches and faith communities

Corpus Christi Watershed · January 21, 2013

Homiletic & Pastoral Review: Article by Fr. Friel

As I prayed these prayers from the new missal for the first time on January 3, 2012, I was struck nearly dumb . . .

Jeff Ostrowski · January 20, 2013

Babies, Toddlers, And The Sacred Liturgy

I can only imagine what would happen if I brought home a friend home without preparation or planning.

Fr. David Friel · January 20, 2013

The Mass

Miracle or Magic?

Dr. Peter Kwasniewski · January 17, 2013

In every age, the challenge is the same

A Bible passage that has always struck me very forcefully . . .

Richard J. Clark · January 17, 2013

St. Cecilia, Pray for Us

Why do we so intensely hand over our lives to the Church without fully realizing it until it is much too late?

Veronica Brandt · January 16, 2013

Biography • Veronica Brandt

Veronica has published a wide variety of Catholic publications . . .

Dr. Alfred Calabrese · January 15, 2013

Biography • Dr. Alfred Calabrese

Alfred holds a doctorate in choral conducting from Indiana University…

Corpus Christi Watershed · January 15, 2013

John Henry Newman Institute of Liturgical Music

The Newsletter for January 2013 and questionnaire.

Jeff Ostrowski · January 14, 2013

Reflections On Playing The Piano At Church

Reflections on whether the piano ought be used at the Catholic Mass.

PDF Download • “Offertory” for this Sunday

This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.

—Jeff Ostrowski

Why A “Fugue” Here?

I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!

—Jeff Ostrowski

“Reminder” — Month of October (2025)

Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski

“American Catholic Hymnal” (1991)

The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).

—Jeff Ostrowski

“Canonic” • Ralph Vaughan Williams

Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.

—Jeff Ostrowski