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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · October 30, 2013

Definition Of Liturgical “Piccoluomini” ?

Human beings are “geared” toward annual events. Our minds, emotions, and memories simply aren’t programmed to work in 3-year cycles.

Corpus Christi Watershed · October 29, 2013

Fr. Jeffrey Keyes Featured In Regina Magazine

“Disgusted and hurt, I went back to selling hotdogs and making music in a liberal Catholic church on Sunday evenings.”

Cynthia Ostrowski · October 29, 2013

Catholic Line Art, Black and White • Installment #40

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · October 28, 2013

A Culture Obsessed With Sensationalism

It’s bizarre that both conductor and pianist were too lazy to discuss things like tempi beforehand.

Jeff Ostrowski · October 28, 2013

What Do We Think Of Cell Phones At Mass?

I have noticed a certain tendency at EF Masses which causes me concern. Please allow me to “think out loud” and let me know your thoughts, as well.

Corpus Christi Watershed · October 28, 2013

REMINDER: Upcoming Holy Day of Obligation

Friday, 1 November 2013 (All Saints Day) is a Holy Day of Obligation for Catholics.

Jeff Ostrowski · October 28, 2013

At Mass This Sunday …

The priest intoned the Gloria … a truly magnificent effect!

Fr. David Friel · October 27, 2013

Gerard Manley Hopkins & Beauty

Pondering Papal Poetic Preferences

Jeff Ostrowski · October 25, 2013

How Bad Was It?

Someday, my children might ask: “Do you remember the first ICEL translation of the Roman Missal?”

Richard J. Clark · October 25, 2013

Who Likes to be “Pruned”?

I don’t know about you, but I don’t like being pruned. Ultimately, this pruning leads to a refinement of the soul.

Dr. Peter Kwasniewski · October 24, 2013

On Aweful Ambos and Lilliputian Lecterns

Why can’t churches have grand furnishings and fixtures—like the lofty pulpits you see in older churches? And why aren’t those pulpits, where they exist, still being used today?

Corpus Christi Watershed · October 24, 2013

Blessed John Henry Cardinal Newman

Corpus Christi Watershed assisted the Birmingham Oratory with media work leading up to the Papal Visit and Beatification of Cardinal Newman.

Corpus Christi Watershed · October 24, 2013

Organ Accompaniments to Simple Gregorian Chants

PDF organ accompaniment scores for simple chants found in the Parish Book of Chant.

Jeff Ostrowski · October 24, 2013

Details About Sung Masses In “The Old Days”

“During a High Mass, the Choir will begin the Graduale etc. while the Priest recites the Epistle.” — St. Gregory Hymnal (1941)

Jeff Ostrowski · October 23, 2013

Concerning Proofreading And Capitalization

Some editors believe in their hearts there is only one “correct” way

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“So, as in delirium a man talks in a long-forgotten tongue, now—when her heart is rent—the Catholic Church drops twenty centuries without an effort, and speaks as she spoke underground in Rome, and in Paul’s hired house, and in Crete and Alexandria and Jerusalem.”

— A non-Catholic describing the “Hagios O Theos” of Good Friday in 1906

Recent Posts

  • Important Quote by a Church Musician
  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This

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