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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Summer Sacred Music Workshop 2018

Andrew Leung · May 31, 2018

CTL Southeastern Sacred Music OUR YEARS AGO, I had the privilege of joining with a group of church music directors in the South and planned the first Summer Sacred Music Workshop for musicians from the Southeastern region of the country. Four years later, this workshop has been continued annually and will happen again this summer in Charlotte, NC. Bridget Scott, a dear friend of mine who planned the very first Workshop and founded the Southeastern Sacred Music (a chapter of the Church Music Association of America), will again lead a team of presenters in this year’s workshop.

This year’s workshop will be hosted by the Cathedral of St. Patrick in Charlotte. The Summer Sacred Music Workshop will be held on July 27-28. This is the furthest north the group have been since its founding in 2015, and they are hoping to attract new participants (music directors, singers, organists, and clergy) from the area.

The annual workshop will explore on a variety of topics, with main focuses on Gregorian chant and sacred polyphony. The 2-days workshop include a Sung Vespers on Friday evening and a Mass celebrated by His Excellency Bishop Peter J. Jugis of the Diocese of Charlotte. The workshop attendees will have the opportunity to apply what they’ve learned in these two liturgies. During the break-outs, participants may choose to attend sessions on the following topics:

• Establishing Children’s Choirs – Training up Our Youth in the Catholic Tradition

• Composing Spanish Propers

• Do Amazing Things with a Small Parish Choir – How to get the Most out of your Singers?

• Organ Master Class on Service Playing and other Organ Literature

• Individual Voice Lessons

You can visit the website of the Southeastern Sacred Music for registration; and to find out more about the Summer Sacred Music Workshop 2018 and its presenters. The registration fee is $75 and it covers all materials as well as a light breakfast and lunch on Saturday.

This is a GREAT opportunity to learn more about the music of the Catholic Church. You will also have the chance to meet some phenomenal church musicians who share the same passion as you!   DON’T MISS IT!!!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Corn” From Heaven?
    The Westminster Version of the Sacred Scriptures was produced by Roman Catholics in England and bears an IMPRIMATUR dated 15 March 1958 by the Archbishop of Westminster. Its IMPRIMI POTEST was given by the director of the Pontifical Biblical Institute in Rome. Sometimes the words chosen by translators can sound funny to American ears. For instance, one of our Responsorial Psalms has as its refrain: “The Lord gave them bread from heaven.” But the British version has “The Lord gave them corn from heaven.” Feel free to examine this with your own eyes. (It comes from Psalm 77.)
    —Jeff Ostrowski
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

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