• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Four Real Reasons for Roman Catholic Funerals

Richard J. Clark · February 24, 2017

R. MICHAEL SCHMITZ of Ascension Presents has put out a number of videos aimed at young audiences. But one that caught my attention has a vitally universal message: The Real Purpose of Funerals.

Regardless of your level of liturgical or theological training, this video may be useful to watch and pass along to those without such training.

To begin with, he lists three things that are not the reason we celebrate funerals. Yet these three reasons are embedded in American culture, and sadly creeping into Roman Catholic culture. While there is absolutely nothing wrong with the following, they do not possess the depth of God’s calling for us:

1 • To say goodbye

2 • To have closure

3 • To celebrate their life

I certainly hope that when I die the above may be considered, but please, not at my funeral. As a distinguished sinner worthy of note, I’m going to need your prayers—urgently!

In his video, Fr. Schmitz goes on to reference the funeral of Justice Antonin Scalia. Regardless of one’s political affiliations, the homily given by his son, Rev. Paul Scalia, is worth noting. The following statement has become legendary:

“We are gathered here because of one man, a man known personally to many of us, known only by reputation to many more; a man loved by many, scorned by others; a man known for great controversy and for great compassion.

“That man, of course, is Jesus of Nazareth.”

Even in death, Christ—the Eucharist—is the very center of our prayer and of our entire being.

Y REMINDING US that Christ is always the center, Fr. Paul Scalia speaks to us of hope. This hope is key to understanding the real reasons for the Roman Catholic funeral, outlined succinctly by Fr. Schmitz:

1 • To worship God

2 • Thank God for His unending mercy that fills us with hope

3 • Renew our faith—our faith in the Resurrection

Number four is most important of all:

4 • Pray for the soul of the deceased—to offer the Holy Sacrifice of the Mass in petition for the deceased

Fr. Schimtz emphasizes multiple times, that “we don’t know” if they are in heaven now. We hope in everlasting life! We are confident of everlasting life! But we, on earth, don’t truly know if our loved one is yet in heaven.

And we look to hope.

ONSIDER THE astoundingly hopeful texts of chants of the Roman Catholic Mass that also emphasize our prayer for the deceased: Subvenite: “Come to her assistance, O you saints of God, go forth to meet her, O you Angels of the Lord; receive her soul and present it in the sight of the Most High.”

Additionally, consider the sequence, Dies Irae (still sing during the Liturgy of the Hours as well as the Extraordinary Form). A hymn of great poetic symmetry, the character of the chant changes dramatically at the Lacrimosa which implore God’s gentle mercy: “Tearful will be that day, on which from the ash arises the guilty man who is to be judged. Spare him therefore, God. Merciful Lord Jesus, grant them rest. Amen.”

Not to be overlooked is a line buried in the middle of the prayer—this gem of remarkable hope:Thou who absolved Mary, and heardest the robber, gavest hope to me, too.

Ultimately, I am greatly moved by the following text from the Credo quod Redemptor: “I believe that my Redeemer lives, and that on the last day, I shall rise from earth and in my flesh I shall behold God my Savior.” This is an astonishing text of joy and hope.

ET US NEVER forget to pray unceasingly. To pray for each other, and for the dead is an act of mercy and kindness. In doing so, we proclaim as a community a central mystery: our hope of resurrection in light of the Paschal Mystery of Christ. As the Order of Christian Funerals states:

1. In the face of death, the Church confidently proclaims that God has created each person for eternal life and that Jesus, the Son of God, by his death and resurrection, has broken the chains of sin and death that bound humanity.

REV. SCHMITZ • The Real Purpose of a Catholic Funeral (Hint: It’s Not Just a “Celebration of Life”)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Order of Christian Funerals, Requiem Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung—but only to tell people who do not understand Latin what the hymn text means—a simple paraphrase in prose is sufficient. The versions are not always very literal. (Literal translations from Latin hymns would often look odd in English.) I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Father Adrian Fortescue (d. 1923)

Recent Posts

  • Keven Smith * Three More Recommendations for Children’s Repertoire
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.