Views from the Choir Loft

An American Requiem

Andrew Leung · October 28, 2015

WO BIG DAYS are coming up. We will be celebrating the Feast of All Saints and the Commemoration for All Souls on Sunday and Monday. Both of these days are closely related to the Church, the body of Christ. On Sunday, we will celebrate the feast of the Church in Heaven with glorious and solemn music. And on Monday, we will pray for our brothers and sisters in purgatory by observing the extra sacred silence in the Liturgy. About a month ago, I uploaded a list of hymns for Catholic Funerals which you might find useful if you are planning a sung Mass on All Souls Day.

* * PDF • 32 HYMNS FOR CATHOLIC FUNERALS

WOULD LIKE TO share another great resource here. A very impressive booklet has been published online by my friends, Fr. Charles Byrd and Bridget Scott. The name of the booklet is An American Requiem. It is a guide that helps priests, musicians and the families of the deceased to plan the funeral. The booklet is not meant to be a “Church Document”, but a useful guide and explanation of the Catholic funeral. The booklet explains the spirituality of the Requiem Mass in light of the Tradition of the Church and it discusses some of the “special musical features” of the funeral. This table of content may interest you:

CTL An American Requiem Booklet 4

CTL An American Requiem Booklet 5

CTL An American Requiem Booklet 6

The PDF of the booklet is free for download:

* * PDF • AN AMERICAN REQUIEM

THINK this booklet is very well-done academically, theologically, pastorally and artistically. It is a great resource for priests and church musicians. Please feel free to email Bridget Scott if you have any feedback at: olmchoirs@gmail.com

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

“The Worm That Dieth Not”

My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.

—Jeff Ostrowski

A Nice Hymn In Spanish

In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.

—Jeff Ostrowski

“Music List” • 21st in Ordinary Time (Year C)

Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.

—Jeff Ostrowski

Solemn “Salve Regina” (Chant)

How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).

—Corpus Christi Watershed

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed