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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Adoremus & the Way Forward

Fr. David Friel · March 22, 2015

AST MONTH’S edition of The Adoremus Bulletin (February 2015, Vol. XX, No. 5) is noteworthy for several reasons. First and foremost, it is characteristically rich in content.

Included in this issue is an excellent ink drawing of the Last Judgment by Daniel Mitsui, whose drawings frequently appear in the Catholic literary journal Dappled Things. There is also a fine article by Susan Benofy offering an introduction to the many resources now available for singing the Propers of the Mass. Several CCW resources are included in her presentation.

February’s Bulletin further includes a thought-provoking piece entitled, Reflections on the Youth Mass and photos of Duncan Stroik’s latest project, St. Paul the Apostle Church in Spartenburg, South Carolina.

N ADDITION to all this quality content, the February edition contains a letter from Fr. Reverend Jerry J. Pokorsky, one of the members of the executive committee governing Adoremus. The letter details some of the struggles the board has encountered since the unexpected death of Helen Hull Hitchcock, the remarkable woman whose vision, humility, and tenacity accomplished so much good for Holy Mother Church. I would encourage you to read the short letter in full, but here are some of its highlights:

Dear Friends and Benefactors of Adoremus:

It is with sorrow that I report that we have decided it would be best for Adoremus to take a hiatus in the months ahead as we continue to work to sustain this important apostolate promoting the liturgical vision of Pope Benedict XVI. This means that this issue of the Adoremus Bulletin will be the last for the foreseeable future—with reasonable hopes for a comeback sometime down the road.

After the death of our editor, Helen Hull Hitchcock, we were hoping we would be able to continue our work with a few administrative tweaks. But after a thorough review of our finances it is clear that we simply cannot sustain continuing costs. It has become evident that we need to move sooner rather than later. We will need our small nest egg of savings to keep Adoremus on life support in the months ahead. . . .

In the meantime, we will do our best to maintain the Adoremus website until a new editor with the same vision and vigor (well, at least some of the same vigor that Helen had) takes the reins. Of course, we have always operated on a shoestring budget so we can promise the new editor — when he or she is found—a great job with low pay and few fringe benefits.

The good news is that we are hoping the months ahead represent merely a transitional period. . . . If you have made contributions in the recent past know that your donations did not—and will not—go to waste. We did our best and we think this is the best interim solution. We consider this a “controlled crash,” so that after repairs and with God’s grace this important apostolate may one day take flight again. Thank you for your generous support over your years as members of the Adoremus family. We continue to hope for a trickle of donations to help us work through this difficult period. . . .

May God reward your generosity and kindness.

DOREMUS has been a positive force in the Church since 1995, when it was founded for the purpose of promoting authentic reform in the Roman Rite. Now the organization needs our help to continue its important work.

Jeff Ostrowski paid tribute to Helen upon her death in October, noting that Adoremus was the single most important organization dedicated to the sacred liturgy for nearly two decades. May the Lord continue the good work He has begun in and through Adoremus!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Helen Hull Hitchcock Adoremus, Joseph Cardinal Ratzinger Liturgy, Reform of the Reform Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

[Speaking of those who wish to eliminate Latin from the liturgy.] “One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past; one may well wonder why these things have been fostered.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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