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Views from the Choir Loft

Sacra Liturgia 2015 — Update I

Fr. David Friel · June 1, 2015

693 FATHER FRIEL HE FIRST DAY of Sacra Liturgia 2015 began at about 4:30 PM on Monday afternoon. After a few words of welcome from the organizers, Bishop Frank Caggiano of the Diocese of Bridgeport gave a wonderful opening talk. In his typically pastoral way, he called upon us to use our love for the sacred liturgy to promote the necessary work of the New Evangelization amidst the many people who consider themselves “spiritual, but not religious.”

The conference attendees then heard the first keynote address, given by His Eminence, Raymond Leo Cardinal Burke.

Even in just a few hours, several important points have been made, and I will share with you just three.

Among the words of introduction, a fine letter was read from the Prefect of the Congregation for Divine Worship (CDW), Cardinal Sarah. His Eminence had many good things to convey to us, but one thing especially struck me.

Cardinal Sarah revealed that, when he was appointed to be Prefect of the CDW, he asked Pope Francis what he expected him to do in this new role. The response of the Holy Father, according to Cardinal Sarah’s letter, was twofold:

1. Implement the reforms of the Second Vatican Council

2. Continue the liturgical vision of Pope Emeritus Benedict XVI

Those are remarkable marching orders—orders that one might not have expected Pope Francis to give. At the same time, of course, these two directives are inseparable, since the liturgical movement championed by Cardinal Ratzinger/Pope Benedict XVI is fundamentally a call to embrace the true vision of Vatican II.

Another highlight moment from today was the announcement of the next Sacra Liturgia conference, which is being planned for July 2016 in London. No further details have been given, but that is a very significant announcement. This movement is growing and spreading, which is already a sign of the fruit that is being borne.

Finally, allow me to recap a few of the many excellent points introduced by Cardinal Burke during his keynote address, entitled Beauty in the Sacred Liturgy and the Beauty of a Holy Life.

The cardinal spoke a bit about the nature & significance of the Transcendentals: Truth, Goodness, & Beauty. He paid special attention to their interconnectedness. Notably, beauty is a prerequisite for truth and goodness. Cardinal Burke observed: “Precisely because we have lost beauty, we have lost also goodness and truth.”

696 Cardinal Burke His Eminence also made the point that, in our modern world, “beauty is suspect.” By this, he meant that beautiful things, especially within the sacred liturgy (e.g., art, architecture, music, gesture, vestments, ars celebrandi, etc.), are commonly disregarded as frivolous, shallow, and “superficial.” I have often witnessed this suspicion at play, and I was very pleased that the cardinal encouraged us to challenge this charge of superficiality.

In the middle of his presentation, Cardinal Burke gave a heartwarming reflection on the Gospel passage wherein Mary of Bethany anoints the feet of Jesus with expensive spikenard. In our own day, many people make the same charge that Judas made: that the money lavished upon divine worship could have been better used in feeding the poor. Cardinal Burke responded firmly & gently to this objection, saying that Christian poverty is a thing most essentially of the spirit. Those whose poverty is physical/financial are those who, most of all, need true beauty in their lives. “The poverty to which we are called as Christians calls not for what is ugly, but for the most beautiful celebration of which we are capable.”

Tuesday will bring several more talks and exquisite liturgies. I will attempt to recap some of the highlights as the conference continues to unfold.


REMINDER FROM FR. DAVID FRIEL :   Any quotations I give in the course of my reporting on this conference should be understood to be inexact, as I am only taking notes during the live presentation. Nevertheless, I shall endeavor to be as exact as possible.


700 Father Friel

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Joseph Cardinal Ratzinger Liturgy, Liturgy of the Second Vatican Council, Pope Francis, Raymond Cardinal Leo Burke, Reform of the Reform, Robert Cardinal Sarah, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Although the Mass contains much instruction for the faithful, it has nevertheless not seemed expedient to the fathers that it be celebrated everywhere in the vernacular. The holy synod commands pastors and everyone who has the care of souls to explain frequently during the celebration of the Masses, either themselves or through others, some of the things that are read in the Mass, and among other things to expound some mystery of this most Holy Sacrifice, especially on Sundays and feastdays.”

— ‘Council of Trent, XII:8 (1562)’

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