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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

An Antidote For Clericalism: Sung Vespers

Dr. Alfred Calabrese · December 17, 2015

924 Pope Francis OR MUCH of his pontificate, and right from the start of it, Pope Francis has spoken openly against a certain kind of CLERICALISM amongst the clergy. That is, a false understanding of priestly service. One of the ways pastors can better serve their people is to offer them every opportunity to participate in the richness of the Church’s liturgies, and these opportunities are not limited to the Holy Mass.

Well before the Second Vatican Council, the Popes Pius (X, XI, and XII) had written about the importance of actuoso participatio. In a 1987 article for Sacred Music, the redoubtable Msgr. Richard Schuler documented this history:

    * *  PDF Download • “Actuosa Participatio” (Msgr. Richard Schuler)

The public singing of Vespers is an antidote to the kind of clericalism that Pope Francis consistently speaks against. How? When pastors offer to the people, as the Church desires, the prayer which they themselves are required to do privately, they keep nothing to themselves. But by denying their flocks the fullness of public prayer, pastors decide, against the wishes of the Church, what to make available to the laity. That’s a lack of service, and that’s clericalism.

In his important volume 1 on the liturgy, Msgr. Peter J. Elliot cites Sacrosanctum Concilium, §100: “Pastors of souls should see to it that the principal hours, especially Vespers, are celebrated in common in church on Sundays and on the more solemn feasts.”

922 Calabrese HOW CAN VESPERS BE INTRODUCED to a parish? My first recommendation is to start slowly, offering it on an important day such as Pentecost, then seasonally. After a while you may be able to expand this to once per month. It will soon become part of the flow of the liturgical life of the community.

Be prepared to do a tremendous amount of work. You will have to train choirs, cantors, servers, deacons and priests, create worship aids, do the advertising, and perhaps even compose some antiphons (for services in English). For the service, lower the lighting and use candles wherever possible. Teach and perform solemn and uniform liturgical motions, gestures, and actions. Copy from places that do it well. The bottom line is, you will probably have to do everything yourself to make this a success. But do it anyway!

Vespers can be sung with one cantor, a small schola, or an entire choir. In addition to an SATB choir, you can spice things up, one time employing just the women of the choir, another time, just the men. At Notre Dame in Paris, Vespers is sung almost exclusively by two cantors. This can also be effective, and will give your choir a chance to attend Vespers to help the congregation sing their parts.

A distinguishing aspect of sung Evening Prayer is the way the Entrance and Retiring processions are carried out. Organ improvisations, sometimes based on seasonal melodies or completely abstract, are especially impactful. In our parish—in an attempt to imitate in a small way what happens at Notre Dame—the organ begins the ENTRANCE PROCESSION for the choir, servers and clergy. About half way through the procession, as the organ begins to build, a large hand-bell is rung, indicating the time for the people to stand. This is all well-orchestrated, and the formal role-playing of all involved lends an air of both liturgical solemnity and actuoso participatio.

After a few publicly-offered Vespers, you’ll end up with a small but loyal cohort who attend because they love it. They love the beauty, the stillness, the solemnity, and the smoke. It’s literally smells and bells. And don’t count the number of people in attendance. That’s not why you do it. You do it because it’s the prayer of the Church, and she wants us to pray together. And that is most certainly “the spirit of the Council.”



NOTES FROM THIS ARTICLE:

1   This book’s full title is: “Ceremonies of the Modern Roman Rite: the Eucharist and the Liturgy of the Hours.” Everyone should own and read Msgr. Elliot’s various volumes on the liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Participatio Actuosa Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

The liturgical reform bears absolutely no relation to what is called “desacralization” and in no way intends to lend support to the phenomenon of “secularizing the world.” Accordingly the rites must retain their dignity, spirit of reverence, and sacred character.

— Sacred Congregation for Divine Worship (5 September 1970)

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