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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

An Antidote For Clericalism: Sung Vespers

Dr. Alfred Calabrese · December 17, 2015

924 Pope Francis OR MUCH of his pontificate, and right from the start of it, Pope Francis has spoken openly against a certain kind of CLERICALISM amongst the clergy. That is, a false understanding of priestly service. One of the ways pastors can better serve their people is to offer them every opportunity to participate in the richness of the Church’s liturgies, and these opportunities are not limited to the Holy Mass.

Well before the Second Vatican Council, the Popes Pius (X, XI, and XII) had written about the importance of actuoso participatio. In a 1987 article for Sacred Music, the redoubtable Msgr. Richard Schuler documented this history:

    * *  PDF Download • “Actuosa Participatio” (Msgr. Richard Schuler)

The public singing of Vespers is an antidote to the kind of clericalism that Pope Francis consistently speaks against. How? When pastors offer to the people, as the Church desires, the prayer which they themselves are required to do privately, they keep nothing to themselves. But by denying their flocks the fullness of public prayer, pastors decide, against the wishes of the Church, what to make available to the laity. That’s a lack of service, and that’s clericalism.

In his important volume 1 on the liturgy, Msgr. Peter J. Elliot cites Sacrosanctum Concilium, §100: “Pastors of souls should see to it that the principal hours, especially Vespers, are celebrated in common in church on Sundays and on the more solemn feasts.”

922 Calabrese HOW CAN VESPERS BE INTRODUCED to a parish? My first recommendation is to start slowly, offering it on an important day such as Pentecost, then seasonally. After a while you may be able to expand this to once per month. It will soon become part of the flow of the liturgical life of the community.

Be prepared to do a tremendous amount of work. You will have to train choirs, cantors, servers, deacons and priests, create worship aids, do the advertising, and perhaps even compose some antiphons (for services in English). For the service, lower the lighting and use candles wherever possible. Teach and perform solemn and uniform liturgical motions, gestures, and actions. Copy from places that do it well. The bottom line is, you will probably have to do everything yourself to make this a success. But do it anyway!

Vespers can be sung with one cantor, a small schola, or an entire choir. In addition to an SATB choir, you can spice things up, one time employing just the women of the choir, another time, just the men. At Notre Dame in Paris, Vespers is sung almost exclusively by two cantors. This can also be effective, and will give your choir a chance to attend Vespers to help the congregation sing their parts.

A distinguishing aspect of sung Evening Prayer is the way the Entrance and Retiring processions are carried out. Organ improvisations, sometimes based on seasonal melodies or completely abstract, are especially impactful. In our parish—in an attempt to imitate in a small way what happens at Notre Dame—the organ begins the ENTRANCE PROCESSION for the choir, servers and clergy. About half way through the procession, as the organ begins to build, a large hand-bell is rung, indicating the time for the people to stand. This is all well-orchestrated, and the formal role-playing of all involved lends an air of both liturgical solemnity and actuoso participatio.

After a few publicly-offered Vespers, you’ll end up with a small but loyal cohort who attend because they love it. They love the beauty, the stillness, the solemnity, and the smoke. It’s literally smells and bells. And don’t count the number of people in attendance. That’s not why you do it. You do it because it’s the prayer of the Church, and she wants us to pray together. And that is most certainly “the spirit of the Council.”



NOTES FROM THIS ARTICLE:

1   This book’s full title is: “Ceremonies of the Modern Roman Rite: the Eucharist and the Liturgy of the Hours.” Everyone should own and read Msgr. Elliot’s various volumes on the liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Participatio Actuosa Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

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