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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

An Antidote For Clericalism: Sung Vespers

Dr. Alfred Calabrese · December 17, 2015

924 Pope Francis OR MUCH of his pontificate, and right from the start of it, Pope Francis has spoken openly against a certain kind of CLERICALISM amongst the clergy. That is, a false understanding of priestly service. One of the ways pastors can better serve their people is to offer them every opportunity to participate in the richness of the Church’s liturgies, and these opportunities are not limited to the Holy Mass.

Well before the Second Vatican Council, the Popes Pius (X, XI, and XII) had written about the importance of actuoso participatio. In a 1987 article for Sacred Music, the redoubtable Msgr. Richard Schuler documented this history:

    * *  PDF Download • “Actuosa Participatio” (Msgr. Richard Schuler)

The public singing of Vespers is an antidote to the kind of clericalism that Pope Francis consistently speaks against. How? When pastors offer to the people, as the Church desires, the prayer which they themselves are required to do privately, they keep nothing to themselves. But by denying their flocks the fullness of public prayer, pastors decide, against the wishes of the Church, what to make available to the laity. That’s a lack of service, and that’s clericalism.

In his important volume 1 on the liturgy, Msgr. Peter J. Elliot cites Sacrosanctum Concilium, §100: “Pastors of souls should see to it that the principal hours, especially Vespers, are celebrated in common in church on Sundays and on the more solemn feasts.”

922 Calabrese HOW CAN VESPERS BE INTRODUCED to a parish? My first recommendation is to start slowly, offering it on an important day such as Pentecost, then seasonally. After a while you may be able to expand this to once per month. It will soon become part of the flow of the liturgical life of the community.

Be prepared to do a tremendous amount of work. You will have to train choirs, cantors, servers, deacons and priests, create worship aids, do the advertising, and perhaps even compose some antiphons (for services in English). For the service, lower the lighting and use candles wherever possible. Teach and perform solemn and uniform liturgical motions, gestures, and actions. Copy from places that do it well. The bottom line is, you will probably have to do everything yourself to make this a success. But do it anyway!

Vespers can be sung with one cantor, a small schola, or an entire choir. In addition to an SATB choir, you can spice things up, one time employing just the women of the choir, another time, just the men. At Notre Dame in Paris, Vespers is sung almost exclusively by two cantors. This can also be effective, and will give your choir a chance to attend Vespers to help the congregation sing their parts.

A distinguishing aspect of sung Evening Prayer is the way the Entrance and Retiring processions are carried out. Organ improvisations, sometimes based on seasonal melodies or completely abstract, are especially impactful. In our parish—in an attempt to imitate in a small way what happens at Notre Dame—the organ begins the ENTRANCE PROCESSION for the choir, servers and clergy. About half way through the procession, as the organ begins to build, a large hand-bell is rung, indicating the time for the people to stand. This is all well-orchestrated, and the formal role-playing of all involved lends an air of both liturgical solemnity and actuoso participatio.

After a few publicly-offered Vespers, you’ll end up with a small but loyal cohort who attend because they love it. They love the beauty, the stillness, the solemnity, and the smoke. It’s literally smells and bells. And don’t count the number of people in attendance. That’s not why you do it. You do it because it’s the prayer of the Church, and she wants us to pray together. And that is most certainly “the spirit of the Council.”



NOTES FROM THIS ARTICLE:

1   This book’s full title is: “Ceremonies of the Modern Roman Rite: the Eucharist and the Liturgy of the Hours.” Everyone should own and read Msgr. Elliot’s various volumes on the liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Participatio Actuosa Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

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  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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