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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Improve Your Parish’s Liturgy … Instantaneously!

Jeff Ostrowski · August 18, 2015

394 Donald Trump Hillary Clinton RAVELING BY CAR and bored, I turned on a popular radio talk show. The host kept screaming: “The Republican debate got 24 million viewers; who cares? Big deal. It wasn’t run correctly.” He insisted that debates shouldn’t have moderators, and I don’t disagree. The only “moderator” should be an hour glass, just like the Lincoln–Douglas debates of 1858. 1

But I soon switched off the radio, because his approach annoyed me. 2 It’s easy to scream into a microphone all day, but when it comes to forming a coalition to remove all moderators, he wouldn’t lift a finger. Provoking people and getting them riled up is one thing; bringing forth something positive is quite another.

Many liturgical “pundits” fall into the same category. They tell everyone else what to do, yet are unwilling to do the hard work in their own parish. Let’s be honest: working to improve liturgy at the local level—teaching real singers, educating real parishioners—is immensely challenging. Richard Clark and Aurelio Porfiri often share their stories about such difficulties, and I suspect anyone involved in Church music can relate. 3 However, a new publication has come along which should make this very tough job a little easier.

A SPECIAL TEAM OF CATHOLICS came together 4 to produce what I would suggest is the easiest way to instantly improve your parish liturgy. You’ve heard me talk about this pew book before. It’s called the JOGUES ILLUMINATED MISSAL, LECTIONARY, & GRADUAL.

996 Pentecost 995 Exterior 986 Creator Fulness


Even if your parish is nowhere near singing the Propers, this book will change lives. Rather than explain the Propers, it shows you the Propers each Sunday. Rather than explain how Catholics honor the Word of God, it shows you, by a unique & splendid formatting for the Readings. Complete keyboard accompaniments for the Gospel Acclamations & Responsorial Psalms are available online, and the book’s luscious artwork is a veritable catechism class. The formatting of the Order of Mass is unmatched, and includes ancient manuscripts demonstrating the astonishing antiquity of the Mass:

4494 Exsultet 985 4495 Petrus 001 992 Agnus 990 Per Ipsum 989 Therefore 987 Pange Lingua


The Jogues Missal avoids a “cut and paste” feel. Look at these images and see if you can understand what I’m getting at:

984 Cut And Paste 983 Cut And Paste 982 Cut And Paste


Congregations will simply ignore blobs of text like that. Moreover, such formatting is monotonous for the eye. On the contrary, the Jogues directs the eye:

997 Renovabis 993 Cease 988 For Seeing


Let me repeat: even if your parish doesn’t sing a single Mass Proper—and most do not—your congregation will still see the Propers each Sunday. Pastors can even make reference to the Entrance Chant or Offertory, e.g. during the homily. With the passage of time, your congregation will begin to wonder why the Propers are not being sung; and it’s all downhill from there!

Until we are blue in the face, we could repeat what Vatican II said about Gregorian chant. The Council declared that chant must be given “first place” in the liturgy 5 but five decades later, less than 1% of our parishes sing even 1% of the Propers. The Jogues Missal is the easiest way to begin fixing this situation.

P.S.

When discussing the sacred liturgy, always keep things on an adult level.



NOTES FROM THIS ARTICLE:

1   For the record, if this same radio host had been invited to ask the questions in front of 24 million viewers, he would have taken part (notwithstanding his objections). But that’s another story…involving sour grapes.

2   I’ve come to realize it’s unhealthy to spend time listening to those with unlimited energy to complain. Time is too precious a gift from God to spend it in such a way, in my humble opinion.

3   Learning to play an instrument is hard enough, but choirmasters must do so much more. Musicians are also very sensitive, so the smallest incidents cause us massive amounts of pain.

4   Our team included members of the Church Music Association of America, Corpus Christi Watershed, folks from Christendom College, experts in the Extraordinary Form, experts from the Anglican Ordinariate, and (of course) priests from the Ordinary Form.

5   Cf. Sacrosanctum Concilium, §116.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: ICEL New Translation of the Roman Missal Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

Recent Posts

  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)
  • Flor Peeters In A Weird Mood?
  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

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