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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Improve Your Parish’s Liturgy … Instantaneously!

Jeff Ostrowski · August 18, 2015

394 Donald Trump Hillary Clinton RAVELING BY CAR and bored, I turned on a popular radio talk show. The host kept screaming: “The Republican debate got 24 million viewers; who cares? Big deal. It wasn’t run correctly.” He insisted that debates shouldn’t have moderators, and I don’t disagree. The only “moderator” should be an hour glass, just like the Lincoln–Douglas debates of 1858. 1

But I soon switched off the radio, because his approach annoyed me. 2 It’s easy to scream into a microphone all day, but when it comes to forming a coalition to remove all moderators, he wouldn’t lift a finger. Provoking people and getting them riled up is one thing; bringing forth something positive is quite another.

Many liturgical “pundits” fall into the same category. They tell everyone else what to do, yet are unwilling to do the hard work in their own parish. Let’s be honest: working to improve liturgy at the local level—teaching real singers, educating real parishioners—is immensely challenging. Richard Clark and Aurelio Porfiri often share their stories about such difficulties, and I suspect anyone involved in Church music can relate. 3 However, a new publication has come along which should make this very tough job a little easier.

A SPECIAL TEAM OF CATHOLICS came together 4 to produce what I would suggest is the easiest way to instantly improve your parish liturgy. You’ve heard me talk about this pew book before. It’s called the JOGUES ILLUMINATED MISSAL, LECTIONARY, & GRADUAL.

996 Pentecost 995 Exterior 986 Creator Fulness


Even if your parish is nowhere near singing the Propers, this book will change lives. Rather than explain the Propers, it shows you the Propers each Sunday. Rather than explain how Catholics honor the Word of God, it shows you, by a unique & splendid formatting for the Readings. Complete keyboard accompaniments for the Gospel Acclamations & Responsorial Psalms are available online, and the book’s luscious artwork is a veritable catechism class. The formatting of the Order of Mass is unmatched, and includes ancient manuscripts demonstrating the astonishing antiquity of the Mass:

4494 Exsultet 985 4495 Petrus 001 992 Agnus 990 Per Ipsum 989 Therefore 987 Pange Lingua


The Jogues Missal avoids a “cut and paste” feel. Look at these images and see if you can understand what I’m getting at:

984 Cut And Paste 983 Cut And Paste 982 Cut And Paste


Congregations will simply ignore blobs of text like that. Moreover, such formatting is monotonous for the eye. On the contrary, the Jogues directs the eye:

997 Renovabis 993 Cease 988 For Seeing


Let me repeat: even if your parish doesn’t sing a single Mass Proper—and most do not—your congregation will still see the Propers each Sunday. Pastors can even make reference to the Entrance Chant or Offertory, e.g. during the homily. With the passage of time, your congregation will begin to wonder why the Propers are not being sung; and it’s all downhill from there!

Until we are blue in the face, we could repeat what Vatican II said about Gregorian chant. The Council declared that chant must be given “first place” in the liturgy 5 but five decades later, less than 1% of our parishes sing even 1% of the Propers. The Jogues Missal is the easiest way to begin fixing this situation.

P.S.

When discussing the sacred liturgy, always keep things on an adult level.



NOTES FROM THIS ARTICLE:

1   For the record, if this same radio host had been invited to ask the questions in front of 24 million viewers, he would have taken part (notwithstanding his objections). But that’s another story…involving sour grapes.

2   I’ve come to realize it’s unhealthy to spend time listening to those with unlimited energy to complain. Time is too precious a gift from God to spend it in such a way, in my humble opinion.

3   Learning to play an instrument is hard enough, but choirmasters must do so much more. Musicians are also very sensitive, so the smallest incidents cause us massive amounts of pain.

4   Our team included members of the Church Music Association of America, Corpus Christi Watershed, folks from Christendom College, experts in the Extraordinary Form, experts from the Anglican Ordinariate, and (of course) priests from the Ordinary Form.

5   Cf. Sacrosanctum Concilium, §116.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: ICEL New Translation of the Roman Missal Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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