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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Can You Love Liturgy Too Much?

Jeff Ostrowski · April 6, 2015

061 Tenebrae OLY WEEK with the FSSP here in Los Angeles was unforgettable. The Easter Vigil, which began at 11:00pm, was conducted in complete darkness (until the Gloria), except for the light of candles. The darkness helped our minds focus. As the Exsultet was being sung, these words caught my attention:

“O inæstimábilis diléctio caritátis: ut servum redímeres, Fílium tradidísti!”
The precious favor of Thy love delivered up to death Thine only Son to buy back a slave’s life.

Giving up one’s child can only be fully appreciated by a parent, and this hit me like never before. Moreover, I began to feel utterly unworthy to be in God’s presence. In a few moments, I would enter the Sanctuary—along with another cantor, both of us wearing cassock & surplice—kneel down, and begin leading the Litany of the Saints. I was quite uncomfortable entering the Sanctuary; I would have preferred to hide under a rock.

At that moment, I realized the Liturgy is a type of SHIELD, helping us approach God without being obliterated by His Purity. Nothing we sinners can do will “earn” our salvation according to strict justice. Yet, fulfilling our role in the liturgy—praising God according to the ancient rites of the Church—is pleasing to Him, and this gave me comfort. I did not run from the Church; I sang the Litany as best I could.

According to Rocco Palmo, someone associated with the Congregation for Divine Worship recently intimated they will take the following approach to liturgy:

“Go by the book. Don’t make a fuss about it. And remember that liturgy’s always a means to an end—not an end in itself.”

Anyone with a rudimentary theological knowledge understands that liturgy is not an end in itself. 1 On the other hand, we ought to pay careful attention to the liturgy and perform our actions as perfectly as we can.

I USED TO ASSUME THAT ANYONE who denigrates the Traditional Latin Mass de facto had evil intentions. In recent years, I’m more inclined to think it’s a misunderstanding. Those who have little experience with the Extraordinary Form often characterize things in way I find utterly perplexing. They’ll take innocent actions—such as receiving Holy Communion kneeling or wearing traditional Church vestments—and explain them in ways I never imagined after decades of attending the EF. It reminds me of the comedian who explained the etymology of MANKIND by breaking it into fundamental parts: “mank” and “ind.”

Consider the words of Msgr. Francis Mannion, who has been horrified 2 to observe the resurgence of the Traditional Mass:

“I must say that having attended a number of Tridentine celebrations in recent years, I have been left with the impression that it is the ritual—rather than God—who is being worshipped. There can be a kind of idolatry here.”

Imagine a young boy wishing to please his father by carefully polishing his shoes. Is it really “idolatry,” or is it a child showing love to the parent? More than 1,200 people attended our EF Holy Week services; I would be reluctant to accuse a single one of idolatry.



NOTES FROM THIS ARTICLE:

1   Traditionally, Catholics use the acronym “TARP” to remember the four ends: Thanksgiving, Adoration, Reparation, and Petition. Bishop Fulton J. Sheen has reminded us that “TARP” comes close to matching the order of importance, too!

2   To be fair, many critics of the Extraordinary Form went to the seminary at a time when the Old Testament was deëmphasized and are, therefore, unaware of the “ritualism” (to use one of Msgr. Mannion’s favorite words) of the Jewish ceremonies.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The idea that the Roman basilica is the ideal design for a Christian church building because it made it possible for the priest and the people to face one another is complete nonsense. That would have been the last thing that the early Christians had in mind.”

— Father Louis Bouyer

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