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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Peace and St Francis

Veronica Brandt · October 4, 2014

St Francis and the Sultan by Gozzoli St Francis’ Trial by Fire before the Sultan from a series of frescoes in Montefalco (1450-52) by Benozzo Gozzoli ODAY MANY PEOPLE ARE PRAYING for peace, especially through the intercession of St Francis, who died on Oct 3 1226 and whose feast day we celebrate today.

I bet there will be a lot of people singing Sebastian Temple’s Make Me a Channel of Your Peace. Which is a great song, but I’d like to share a few others which today brings to mind.

But first a little about the illustration there.

The 14th century book, The Flowers of St Francis, relates how he went to visit the Sultan during the 5th Crusade:

Then St Francis standing before him, inspired by the Holy Spirit, preached most divinely the faith of Christ; and to prove the truth of what he said, professed himself ready to enter into the fire. Now the Sultan began to feel a great devotion towards him, both because of the constancy of his faith, and because he despised the things of this world (for he had refused to accept any of the presents which he had offered to him), and also because of his ardent wish to suffer martyrdom. From that moment he listened to him willingly, and begged him to come back often, giving both him and his companions leave to preach wheresoever they pleased; he likewise gave them a token of his protection, which would preserve them from all molestation.

There are a lot of discussions about how accurate that retelling was, but well worth reading.


217 St Francis There is a little known hymn to St Francis beginning “Corda pia inflammantur” which can be translated as Godly hearts are inflamed. The tune is very simple – same for the refrain as for the verses. The text elaborates on St Francis receiving the stigmata. Go listen and share it. It makes a change from the Peace Prayer of St Francis.

      * *  MP3: Corda Pia – one minute audio clip with two verses out of eleven and three repeats of the refrain. The singers are my mother, my son and myself.
      * *  PDF: Corda Pia – pages 50 & 51 from A New Book of Old Hymns

Another alternative to the Peace Prayer of St Francis is the antiphon “Da pacem.” The translation runs thus, “Grant peace, O Lord, in our days, as there is no other who will fight for us, except thee, our God.”

Here is Giovanni Vianini singing the antiphon paired with Psalm 121/122:

The psalm verses are:

I rejoiced at the things that were said to me: We shall go into the house of the Lord. Our feet were standing in thy courts, O Jerusalem. Jerusalem, which is built as a city, which is compact together.

This is also in a New Book of Old Hymns. In the book this antiphon is followed by the round setting by Melchior Franck. In the new edition I clarified how the parts fit together – it is a canon in the hypodiatessaron or the second part comes in a fourth below. Here is a pdf copy of the page:

      * *  PDF: Da pacem, Domine p70 of A New Book of Old Hymns

Now, you might have noticed that both those pieces are in Latin. Aren’t there any English hymns you can recommend?

There is a novena to St Francis carried out each year at the Maternal Heart of Mary Church in Sydney. They use the hymn by Shane Leslie which begins:

Francis, thou wast lonely plying
For thy bread from door to door
Till God heard thy bitter sighing
For His Wounds and for His poor.

You can find the whole novena with the hymn (and Corda Pia) here as a pdf taken from the listing of Mass Propers of the Saints

It appears in the Westminster Hymnal of 1958 (unfortunately not in the Old Westminster Hymnal which I wrote about earlier) The meter is 87.87. I will try to find the name of the tune! (In solfege it begins: re do re fa sol fa mi re – do you recognise it?)

Zenit is promoting a new book on St Francis by Fr Cantalamessa In Love with Christ: The Secret of Saint Francis of Assisi. They are selling through Createspace, which also sells A New Book of Old Hymns and The Old Westminster Hymnal. Just letting you know.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

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