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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Colloquium Friends & Chant Workshops

Fr. David Friel · November 16, 2014

F YOU’VE BEEN to a CMAA Colloquium before, chances are that you have “Colloquium friends.” I certainly do. These are people whom you might not see except for those seven days each summer. Throughout the other 51 weeks of the year, you might encounter them virtually someplace in the blogosphere or on the forum, but that’s the extent of it. Still, the simple knowledge that they are out there—like-minded folks trying to think with the heart of the Church out in the trenches—lends motivation to our work for the sacred liturgy.

I was ecstatic to receive an email from one such Colloquium friend the other day. Mona Hauslik emailed to tell me about a chant workshop she has been organizing at her parish, Immaculate Heart of Mary Parish in Ramona, CA, where she serves as Liturgical Music Coordinator. The event is being organized together with her colleague and Music Director at the parish, Steven Holc, another Colloquium friend.

I first met Mona & Steven at Colloquium 2012 in Salt Lake City. They have attended the last three Colloquia together, and they even managed to bring their parish priest along as we gathered in Indy in 2014. They are a terrific witness of parish musicians trying to improve liturgical music at the grassroots level.

A flyer with details about the workshop is available HERE.

The upcoming workshop is entitled Adventus Dona (“The Gifts of Advent”), and it will focus on the chants of the Advent season. Presenters will include Dr. Jon Naples & Mary Ann Carr-Wilson. Jon Naples is organist and Director of Sacred Music at St. Margaret Parish in Oceanside, CA, and he has published music through CanticaNOVA and Corpus Christi Watershed. Mary Ann Carr-Wilson is the organizer of the Gregorian Chant Camp for Children at St. Anne’s in San Diego, where she is also a choir director.

Another highlight of the workshop will be a presentation on the vestments and vessels of the Eastern & Western Churches, given by the Society of Saint John Chrysostom. In addition, the Brothers of the Little Oratory will be present to sing Vespers for the First Sunday in Advent in the Extraordinary Form.

If I weren’t so far from the West coast, I would love to attend this workshop and catch up with some Colloquium friends. If you live anywhere in the San Diego/Los Angeles area, try to make it to Adventus Dona. You will certainly learn a few things, and perhaps even make a new friend!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CanticaNOVA Publications, Church Music Association of America CMAA, Gregorian Chant, Propers, Sacred Music Colloquium, Simple Steps To Improve Parish Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Yet, with all its advantages, the new Missal was published as if it were a work put together by professors, not a phase in a continual growth process. Such a thing never happened before. It is absolutely contrary to the laws of liturgical growth, and it has resulted in the nonsensical notion that Trent and Pius V had “produced” a Missal four hundred years ago.

— Josef Cardinal Ratzinger (1986)

Recent Posts

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  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?

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