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Views from the Choir Loft

1970s Theology Has Affected The Celebration Of Mass

Jeff Ostrowski · March 11, 2014

743 Leisure Suit Composer David Haas wrote the following in 2002:

“Acclamations … help empower and form the assembly as co-celebrants in the liturgy.”

Father Edward Foley wrote in 1998:

“The associate formerly said Mass, but now this redefined parochial vicar and member of the Parish Ministry Staff presides at the eucharist at which the assembly is the principal celebrant.”

Composer Marty Haugen wrote in 1984:

“With the advent of post-Vatican II liturgies, the assembly was given a new mandate and opportunity — to rediscover and express its integral importance as the primary minister of the Sunday eucharistic experience.”

Father Eugene Walsh, a seminary professor in Baltimore and principal author of The Place of Music in Eucharistic Celebrations, wrote in the 1970s:

“The entire parish assembly, therefore, is celebrant of the eucharist. The presider is simply the leader of the assembly. As leader, his task is to engage the assembly in the eucharistic prayer.”

Whence cometh such theological notions?

A good place to search might be this stupefying tome of PDF documents:

      * *  NPM Magazine Archive — (1970s and more)

It would take several decades to quote and explain those articles, so I won’t try. However, here’s a fairly good “sample” of what’s there:

      * *  “First, the Assembly Gathers” — Article by Fr. Eugene Walsh (1982)

Reading that article, you’ll find quotes like:

The most important thing that people can do at a parish Sunday Mass is to take the trouble to gather with each other.   [ … ]   The parish assembly is the first and primary minister of the parish Sunday Mass.   [ … ]   The full, life-giving sacramental sign of eucharist is the parish assembly.

Dull and feeble and half-hearted sacraments are not life-giving. In fact there comes a point where they begin to be death-dealing.

The first task of all specially designated ministers [i.e. priests and deacons] is to serve the assembly. Their conscious and deliberate target is to help the assembly bring itself to life …

Feel free to let me know your reactions to that article by Fr. Eugene Walsh. I found it shocking … and quickly phoned my spiritual advisor for counseling!   (Not kidding.)


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Fr Eugene Walsh Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

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