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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download: Complete Proper Of The Mass, With Organ Accompaniment • Kansas (1946)

Jeff Ostrowski · June 27, 2014

332 Proper of the Mass UR CURRENT AGE has a difficult time grasping realities of the past. For example, as a parent of two small children, I cannot understand how people survived before modern conveniences like running water, plumbing, electricity, modern medicine, and disposable diapers. Can you imagine raising children in the year 1817? How about 1746? 1455? 1106? It’s totally unthinkable … yet billions of humans have done it.

Broad statements are sometimes made, such as: “Catholic music was terrible prior to the Second Vatican Council … and priests rushed through Low Mass in a sloppy way.” Others imagine that every single church before Vatican II had a men’s Schola chanting the full Gregorian Propers.

While neither scenario is accurate, one thing is certain: our ancestors often sang the Propers, despite many obstacles. Considering what they did, our feeble efforts to sing the Propers are inexcusable.

Therein lies the primary value of being aware of this book:

      * *  COMPLETE PROPER OF THE MASS — Rev. Green & Rev. Koch ©1946 (PDF)

It’s remarkable that priests in Kansas — Kansas! — were willing to exert the effort necessary to help small churches sing the Propers. Many other collections existed, too: Tozer, Labouré, Rossini, and so forth.

Although the melodies and organ accompaniments in this book are nothing spectacular, they did include some handy items like a Latin Pronunciation Guide, Sequence Accompaniments, and these accompaniments to the Vidi Aquam and Asperges Me:

      * *  Asperges Me — Organ Accompaniment (PDF)

      * *  Vidi Aquam — Organ Accompaniment (PDF)

IT IS A FACT that not all churches “back in the day” sang the Propers. Some churches omitted them, although this was contrary to liturgical law. Much evidence could be produced, for example:

      * *  Omitting the Propers — References from the 1930s (PDF)

For reference purposes, here’s the title page information:

THE COMPLETE PROPER OF THE MASS
Set to Gregorian Themes and Psalm Tones for Sundays and Feasts of the Liturgical Year

by Andrew Green, O.S.B. and Rev. Herman J. Koch, Ph.D.

1956 Revised Edition

IMPRIMATUR:
Edward J. Hunkeler (27 September 1956)
Archiepiscopus Kansanopolitanus in Kansas

Copyright 1946 Diocese of Leavenworth

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

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