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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Like Eve in the Garden

Guest Author · July 23, 2014

225 Novus Ordo HEN I RECEIVED my copy of the St. Isaac Jogues Missal in the mail and opened it up, I couldn’t help but think about Eve’s encounter with that enticing fruit that was good for food, pleasing to the eyes, and desirable for gaining wisdom. Unlike that ancient story, though, the fruit in my hands was not forbidden but simply forgotten.

Before me was a work that was pleasant simply to hold in my hands, but what I found inside was even more beautiful. For years there has been discussion about a reform of the reform of the Sacred Liturgy, but with the arrival of the Jogues Missal, I suggest that we can begin to make real strides for three reasons.

IRST, it is beautiful. We all know that first impressions matter, but publishers often fail to employ that wisdom in liturgical texts. Such is not the case here. The text size and font make it attractive and easy to read. The full-page artwork and smaller works sprinkled throughout catch the eye and edify the spirit. And the Order of the Mass explains in word and image the glory of the Holy Sacrifice. In short, the missal imitates well the Beauty that lies before us.

ECOND, it permits options. We’ve been optioned to death these last fifty years, but these options are welcome ones. A choice between the Gradual or Responsorial Psalm and Gospel Acclamation or Ancient Alleluia, as well as the inclusion of the Mass Propers and Sequences, make this missal usable at any parish, whether they are thinking about the reform for the first time or have been working at it for many years.

INALLY, it is a work of love. The DIY liturgies and disposable missalettes have seen the Sacred Liturgy and written Word abused and devalued, but the Jogues Missal seeks to honor them both. Designed to last for years, it calls to mind the enduring nature of the Sacred Liturgy and the attention to details speaks volumes of the publishers’ desire to glorify the Lord and help others encounter Him in Holy Mass.

Of the many gifts given to the Church by her members in recent years, this one is especially needed today. May we soon see it widely used, all for the greater glory of God!

St. Isaac Jogues, pray for us!


We hope you enjoyed this guest article by Fr. Brent Maher.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jogues Illuminated Missal Lectionary Gradual Last Updated: January 1, 2020

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President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“We must strip from our Catholic prayers and from the Catholic liturgy everything which can be the shadow of a stumbling block for our separated brethren—that is, for the Protestants.”

— Monsignor Annibale Bugnini (March, 1965) in L’Osservatore Romano

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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