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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

WLP Vice President Mentions The Jogues Missal (Without Realizing It)

Jeff Ostrowski · July 14, 2014

285 Jerry Galipeau S FAR AS I can tell, Dr. Jerry Galipeau is a sincere and caring person. However, I’m not a huge fan of his blog. You see, each Thursday, Dr. Galipeau attempts to prove that the new Roman Missal is too difficult for average Catholics to understand. I’ve never had any trouble understanding the new prayers (which are more accurate translations), so I don’t frequent his blog.

Some time ago, a CMAA forum member posted an article by Dr. Galipeau, who described his first time attending the Traditional Latin Mass. Here are some excerpts from his article:

I LEFT THAT MASS quite perplexed. It left me empty and full of questions. […] As I looked around that church yesterday, I wondered how the pre-conciliar rite had “become dear” to these people.

I have a Catholic voice; I have a Catholic heart; I have Catholic vocal chords ready to sing God’s praise. Unfortunately, yesterday’s experience of the extraordinary form of the Mass never engaged this Catholic. […] I am desperately trying to understand how what I experienced yesterday is not a separate rite, but instead, as Pope Benedict said, another version of the same rite.

I have fantastic news for Dr. Galipeau!

His questions will be answered if he obtains a copy of the Jogues Illuminated Missal. This book has full-color reproductions of ancient Catholic manuscripts, going all the way back to the 7th century, placed alongside the Ordinary Form of the Mass. 1 In other words, it clearly and powerfully demonstrates that the core of the Novus Ordo Missal goes back more than 1,000 years. As an added bonus, the various manuscripts—Agnus Dei, Canon of the Mass, and so forth—are fascinating to behold!

I WOULD ALSO LIKE to share with Dr. Galipeau something my father taught me: Don’t judge something after having experienced it for a brief period of time only.

The most wonderful things in life take years to begin to appreciate. Would it not be a tragedy for a young person to listen to 5 seconds of Chopin and declare his music boring? For that matter, what would we think of a man who walked into the Church and departed after 15 seconds, declaring that Christianity has little to offer?

The most magnificent composers—J.S. Bach, Morales, Victoria, and the rest—require years of careful listening before they begin to reveal their depth and greatness. The same is true of the Traditional Latin Mass, except that the sacred liturgy is infinitely more important than great music.



NOTES FROM THIS ARTICLE:

1   The Jogues Missal is also the first postconciliar book to contain the complete Propers in English and Latin for the Ordinary Form of the Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dr Jerry Galipeau WLP, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

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