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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. Jay Finelli Weighs In On The Jogues Missal

Jeff Ostrowski · December 29, 2014

511 Jay Finelli ATHER JAY FINELLI, known by many on account of his support for holy liturgies, has published a REVIEW of the Saint Isaac Jogues Illuminated Missal, Lectionary, & Gradual.

I especially like his initial quote, from Sacramentum Caritatis, a Post-synodal Apostolic Exhortation from the Holy See promulgated 22 February 2007:

EAUTY, THEN, is not mere decoration, but rather an essential element of the liturgical action, since it is an attribute of God himself and his revelation. These considerations should make us realize the care which is needed, if the liturgical action is to reflect its innate splendor.

Fr. Finelli continues his Review:

My copy of the Missal arrived in shrink wrap to protect the cover. The cover is clean, uncluttered and dignified, a solid deep blue. Each Sunday contains the Entrance Chant, Gradual, Offertory and Communion chants in both Latin and English, thus making available to congregations the universal and normative language of the Roman liturgy.

The highlight of the Missal is the Ordo Missæ, or Order of the Mass. The pages are cream colored, with beautiful, full color line art and photographs portraying the various Mass parts. The fonts are also distinguished by various colors: headings are in green, parts of the Mass in red and basic text in black. The Roman Canon appears in both Latin and English, while the other three optional Eucharistic Prayers appear in English only. This section immediately brought to mind my mother’s old hand missal.

The Missal encompasses all Sundays, Holy Week, special solemnities, funerals, weddings, and the Confirmation. There is an appendix featuring the sequences for Easter, Pentecost, and Corpus Christi, along with the Tract for Palm Sunday. At the very end of the Missal are the hymns and prayers for Benediction of the Blessed Sacrament and a congregational Mass setting in honor of St. Isaac Jogues.

912 Catholic Pew Lectionary Finelli


…read the rest by visiting Fr. Finelli’s website.


Image: Fr. Finelli 20th Anniversary Mass of Thanksgiving.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Fr Jay Finelli Holy Ghost Roman Catholic Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

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