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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Important Resources for Liturgical Reform (1 of 7)

Richard J. Clark · August 8, 2014

HILE STRIVING FOR the ideal in liturgy we also deal in the real world with real people. This makes our work challenging yet all the more rewarding as we edge closer and closer toward singing the mass and toward more reverent liturgy—nurturing both exterior and interior prayer. By this we hope to achieve what Saint Pius X states as the purpose of the liturgy: “…the Glory of God and the edification and sanctification of the faithful.” (Tra le Sollecitudini, General principles §1)

We are but imperfect in our frail humanity, and to achieve such goals we rely on God and each other! With choirs resuming recruitment and rehearsals, many are searching for new resources and direction. Some mainstream resources are geared towards maximizing market share; there are a number of others, perhaps lesser known that have the above words of St. Pius X and Sacrosanctum Concilium in mind. Therefore, this week, the writers of “Views” intend to shine the light not only on their own wonderful work but also on resources that your choir may find useful, affordable, and in many cases free.

OR ANY CHOIR ASKING THE QUESTION, “WHERE DO I BEGIN?” A great starting point is the astoundingly comprehensive Liturgical Planning pages of CanticaNOVA Publications. Senior Editor Gary Penkala has compiled lists of resources and suggested music for every Sunday and feast day of the liturgical calendar for the Novus Ordo.

A typical index for any given Sunday or feast day will list suggested settings in order of priority. Listed first are the official texts of the mass to be sung, i.e., the propers and the ordinary. For example, the Twentieth Sunday in Ordinary Time (A) lists multiple options for the Introit, Gradual/Responsorial Psalm, Alleluia, Offertory, and Communion. This includes Gregorian chant from the Graduale Romanum to various settings in English including those composed by the likes of Bartlett, Motyka, Oost-Zinner, Tietze, Rice, Ostrowski, etc. Links are provided to various sources. Some resources are free and some are available through CanticaNOVA Publications.

NLY AFTER THE PROPERS AND THE ORDINARY will you find suggestions for hymns and choral anthems. You can be certain that the hymns listed are theologically sound! For organists, there is a comprehensive list of organ repertoire suitable for preludes and postludes, etc.

At the bottom, you will always find very useful the “Liturgical Hints and Ideas.” For example, he discusses and provides links for general sources of the propers for what is described as “Real and authentic Catholic liturgical music.”

Finally, I offer a sampling of my own resources. Some are published with CanticaNOVA, some are free, and other published with RJC Cecilia Music.

      * *  Mass of the Angels • CanticaNOVA Publications
      * *  Mass in Honor of Pope Saint John Paul II • Free Download – Corpus Christi Watershed
      * *  Sacred Choral Works • RJC Cecilia Music
      * *  Chant Based Organ Works • RJC Cecilia Music


7-part series:   “Important Resources for Liturgical Reform”

FIRST PART • Richard Clark

SECOND PART • Veronica Brandt

THIRD PART • Fr. David Friel

FOURTH PART • Jeff Ostrowski

FIFTH PART • Jon Naples

SIXTH PART • Andrew Motyka

SEVENTH PART • Peter Kwasniewski

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CanticaNOVA Publications, Reform of the Reform Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The hostile attitude of music directors and distinguished composers prevented the reform from introducing renewal and pastoral participation into sacred music.”

— Hannibal Bugnini

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