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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Preconciliar Missal Allowed Mass “Versus Populum”

Jeff Ostrowski · April 7, 2014

E HAVE SPOKEN a lot about the history of “versus populum” celebration. For example, here is a whole series of articles on that topic. Some may be interested to learn that “versus populum” was actually allowed in the old Latin Liturgy (although Mass was almost never offered that way).

If you don’t believe me, click here:

* *  Rubrics from a 1906 Missale Romanum

These same rubrics have been found in Missals published in 1962, 1927, 1943, 1906, and 1886. If you find earlier missals which say the same thing, please email me.


1962 RUBRICS — Ritus Servandus in celebratione Missae

V, §3 • Si Altare sit ad Orientem, versus populum, Celebrans versa facie ad populum, non vertit humeros ad Altare, cum dicturus est Dominus vobiscum, Orate, fratres, Ite, Missa est, vel daturus benedictionem; sed, osculato Altari in medio, ibi expansis et junctis manibus, ut supra, salutat populum, et dat benedictionem.

V, §3 • If the Altar faces the people, the Celebrant does not turn his back to the Altar when saying Dominus vobiscum, Orate, fratres, Ite, missa est, or when giving the blessing, but having kissed the Altar in the middle, there extending and joining his hands, as above, facing the people, greets them and gives the blessing.

XII, 2 • Si Celebrans in Altari vertit faciem ad populum, non vertit se, sed stans ut erat, benedicit populo, ut supra, in medio Altaris; deinde accedit ad cornu Evangelii, et dicit Evangelium S. Joannis.

XII, §2 • If the Celebrant is at an Altar facing the people, he does not turn around, but standing as he was, blesses the people, as above, at the middle of the Altar. Then he goes to the Gospel side, and reads the Gospel of St. John.

WHEN THE PRIEST FACES ad orientem, what a powerful statement it makes when he literally turns around to speak to the congregation. Think about it. How many times in your life are you focused on doing something, then literally turn around to speak to the ones who are following you? I was taught never to turn around in my pew … Can you imagine how awkward it would be in the middle of Mass for me to keep turning around to face the person behind me? Yet, the priest does this constantly, according to the rubrics, to emphasize the unity that ought to exist between celebrant and congregation. Wow! Very cool.

 

 

UPDATE (from a kind reader):

“Si Altare sit ad Orientem, versus populum, Celebrans versa facie ad populum…” can be found in a 1625 missal on p. xxxvii; a 1674 missal on p. 220; 1861 missal on p. 49; 1866 missal p. xxix as well as several other Missals. Go to google books and type in a dozen words from the rubric and it will come up with a list. You can sort and filter your results by year if you please. My guess is that the rubric has been in there since 1570 (and possibly in earlier Missals), however I have been unable to find either a pdf of one or to physically be able to look in one to verify this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People Last Updated: March 31, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

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