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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bugnini: the word Alleluia is a “meaningless sound”

Jeff Ostrowski · October 7, 2013

353 Last Supper HEN historian Hubert Jedin critically examined the effects of the vernacular liturgy in a 1969 article printed by L’Osservatore Romano, Annibale Bugnini became “unhinged,” writing a polemical response that includes the following statement:

As a good historian who knows how to weigh both sides and reach a balanced judgment, why did you not mention the millions and hundreds of millions of the faithful who have at last achieved worship in spirit and in truth? Who can at last pray to God in their own languages and not in meaningless sounds, and are happy that henceforth they know what they are saying? Are they not “the Church?”

His argument is absurd for two reasons. First, it is incorrect to assert that Catholics cannot understand words in a different language. For example, just think of the word “Alleluia.” Or, think of “Kyrie Eleison” and “Amen.” The same for “Hosanna in excelsis” and “Et incarnatus est.” Until the reforms following the Second Vatican Council, the Mass was (for the most part) unchanging. To say that Catholics cannot put forth a little effort and learn the basics of the Mass in Latin is untenable, especially for those who understand the great importance of the Mass. According to St. Thomas Aquinas, even if one cannot give a “dictionary definition” for the word alleluia, praying it in Church is still pleasing to God if one has the love of God in one’s heart.

The second problem with Bugnini’s assertion is treated by Fr. John Parsons in his thoughtful article:

      * *  Article by Fr. John Parsons (Printed in Sacred Music)

It is simply incorrect for Bugnini to say that a “black hole” existed from the 6th century until 1965 (when the vernacular was introduced) during which Catholics were not truly adoring God at Mass. Please carefully notice I am not saying the fathers of the the Second Vatican Council went beyond their rights when they allowed for greater use of the vernacular, declaring “it is for the competent territorial ecclesiastical authority to decide whether, and to what extent, the vernacular language is to be used” (Sacrosanctum Concilium §36c).

I WOULD ENCOURAGE to read that article by Fr. Parsons. At the end, I also included some interesting comments by Kurt Poterack, who cites a 1995 article by Fr. Brian Harrison (The Reform of the Reform) which everyone ought to read. If anyone has access to an online version, please email me.

Fr. Parsons makes many good points, especially in the section mentioning the Eastern Rites. This is a subject I will be writing more about in the context of “Bugnini logic” (see below). The words of Pope Francis about the Eastern Rites are also worthy of consideration:

They have conserved that pristine liturgy, no? So beautiful. We [i.e. those of us who celebrate the liturgy reformed by Bugnini] have lost a bit the sense of adoration, they conserve it, they praise God, they adore God, they sing, time does not count. The center is God and that is a richness that I would like to emphasize on this occasion as you ask me this question.

[Original Italian: Hanno conservato quella pristina liturgia, no?, tanto bella. Noi abbiamo perso un po’ il senso dell’adorazione, loro lo conservano, loro lodano Dio, loro adorano Dio, cantano, il tempo non conta. Il centro è Dio e quella è una ricchezza che vorrei dire in questa occasione in cui Lei mi fa questa domanda.]

As time goes on, we’ll talk more about “Bugnini logic” … a type of pseudo-logic (accepted in the 1960s) which did great harm to the Church and is now undergoing evaluation by cooler heads. In particular, statements made by Bugnini in his book on liturgy are remarkable for their brashness, and often reveal an appalling lack of understanding for basic Catholic theology. It is very difficult for me to understand how those in authority could have been taken in. They fell for it “hook, line, and sinker” as my mother would say.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Come now,” they said, “Thou who wouldst destroy the temple and build it up in three days, rescue Thyself; come down from that cross, if Thou art the Son of God.”

— Gospel of St. Matthew 27:42

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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