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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Missale Romanum Cum Lectionibus Ad Usum Fidelium”

Jeff Ostrowski · July 26, 2013

601 Missale Romanum cum lectionibus ad usum fidelium HE FOLLOWING FOUR VOLUMES appear to be permanently out-of-print. Not even PaxBooks has them. Can anybody provide me some xerox copies of sample pages? Missale Romanum cum lectionibus ad usum fidelium (1977). In four volumes, all the prayers and readings for the whole year for use as a hand missal for the faithful. Musical settings include some chants for the Mass.


UPDATE !!!   This book is now available in PDF format. Click here.

Missale Romanum cum lectionibus ad usum fidelium. Vatican Press. 4 vols.

This is truly a splendid work, and finally some nine years after the appearance of the Missale Romanum (altar edition) of Paul VI, puts into the hands of the laity a portable Latin missal which (pace Archibshop Bugnini) contains everything said or read at Mass. To this extent, it resembles the pre-Vatican II missals which contained everything, either in Latin or in English, or, in the case of the Saint Andrew Missal, in both languages. The big difference between the present work and its predecessors, however, is the number of pages it takes to present the material. The comparable older missals ran to about 1300 pages; the new one comprises four volumes of about 2000 pages each. The increase in bulk is not solely due to the new cycle of readings; the new missal is arranged to provide the maximum convenience for the user.

Volume I contains the time of advent and Christmas as well as the time before lent. Volume II contains lent and paschaltime. Volume III has the Sundays numbered during the year from the sixth to the twenty-first. The remaining are in Volume IV. Each volume contains the ordinary of the Mass, together with the proper of the saints and the commons as well as all the ritual Masses and Masses for various necessities, votive Masses and Masses for the dead. The music for the Ordo Missae and other chants that are needed can be found also. Each volume contains the Ordo Missae, both cum and sine populo. The Masses proper to the time period for each volume include the readings, as of course do all the other Masses. In addition, each volume contains all of the Masses for the thirty-four Sundays per annum but without the readings. The reason for including all of the Masses except the readings is clearly indicated at the top of the pages containing the Mass where it states that on the weekdays through the year any one of the thirty-four Masses is able to be said according to the pastoral usefulness of the texts. The four volumes all contain all of the common Masses of the year, beginning with the dedication of a church and ending with the Commune sanctorum et sanctarum. The next sections of each contain the Missae rituales, Missae et orationes pro variis necessitatibus, Missae votivae and Missae defunctorum. An appendix, also appearing in each volume, repeats the appendix of the altar edition, with the blessing of holy water, specimen formulas for the Oratio universalis and some examples of the chants used in the Mass, i.e., for the introductory rites, one preface, and the parts of the eucharistic prayer which may be sung. They even include the pontifical blessing.

As will by now be obvious, the Vatican press has been extremely generous in its inclusions. Each volume, for example, contains not only the prefaces proper to the time it covers, but all of the other prefaces which could conceivably be used in that time. The advent volume, for instance, contains, in addition to the prefaces of advent, Christmas, etc., all of the votive and festal prefaces, even those of the Sacred Heart and the Holy Eucharist. The only omissions for this seasonal volume are the obvious prefaces de tempore which could not be used during the volume’s currency, e.g., Easter and Pentecost. It is difficult in a review to avoid overpraising the work. Its appearance is quite handsome, the “cheap” edition (about $80) being bound in brown vinyl, fully rubricated with a bright red ink, and equipped with six ribbons.

For any serious student of the Roman rite, this is an essential acquisition, and should put to rest the hoary concept that Latin is no longer a language of the Roman Church. — Harold Hughesdon

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 16, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

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