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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Missale Romanum Cum Lectionibus Ad Usum Fidelium”

Jeff Ostrowski · July 26, 2013

601 Missale Romanum cum lectionibus ad usum fidelium HE FOLLOWING FOUR VOLUMES appear to be permanently out-of-print. Not even PaxBooks has them. Can anybody provide me some xerox copies of sample pages? Missale Romanum cum lectionibus ad usum fidelium (1977). In four volumes, all the prayers and readings for the whole year for use as a hand missal for the faithful. Musical settings include some chants for the Mass.


UPDATE !!!   This book is now available in PDF format. Click here.

Missale Romanum cum lectionibus ad usum fidelium. Vatican Press. 4 vols.

This is truly a splendid work, and finally some nine years after the appearance of the Missale Romanum (altar edition) of Paul VI, puts into the hands of the laity a portable Latin missal which (pace Archibshop Bugnini) contains everything said or read at Mass. To this extent, it resembles the pre-Vatican II missals which contained everything, either in Latin or in English, or, in the case of the Saint Andrew Missal, in both languages. The big difference between the present work and its predecessors, however, is the number of pages it takes to present the material. The comparable older missals ran to about 1300 pages; the new one comprises four volumes of about 2000 pages each. The increase in bulk is not solely due to the new cycle of readings; the new missal is arranged to provide the maximum convenience for the user.

Volume I contains the time of advent and Christmas as well as the time before lent. Volume II contains lent and paschaltime. Volume III has the Sundays numbered during the year from the sixth to the twenty-first. The remaining are in Volume IV. Each volume contains the ordinary of the Mass, together with the proper of the saints and the commons as well as all the ritual Masses and Masses for various necessities, votive Masses and Masses for the dead. The music for the Ordo Missae and other chants that are needed can be found also. Each volume contains the Ordo Missae, both cum and sine populo. The Masses proper to the time period for each volume include the readings, as of course do all the other Masses. In addition, each volume contains all of the Masses for the thirty-four Sundays per annum but without the readings. The reason for including all of the Masses except the readings is clearly indicated at the top of the pages containing the Mass where it states that on the weekdays through the year any one of the thirty-four Masses is able to be said according to the pastoral usefulness of the texts. The four volumes all contain all of the common Masses of the year, beginning with the dedication of a church and ending with the Commune sanctorum et sanctarum. The next sections of each contain the Missae rituales, Missae et orationes pro variis necessitatibus, Missae votivae and Missae defunctorum. An appendix, also appearing in each volume, repeats the appendix of the altar edition, with the blessing of holy water, specimen formulas for the Oratio universalis and some examples of the chants used in the Mass, i.e., for the introductory rites, one preface, and the parts of the eucharistic prayer which may be sung. They even include the pontifical blessing.

As will by now be obvious, the Vatican press has been extremely generous in its inclusions. Each volume, for example, contains not only the prefaces proper to the time it covers, but all of the other prefaces which could conceivably be used in that time. The advent volume, for instance, contains, in addition to the prefaces of advent, Christmas, etc., all of the votive and festal prefaces, even those of the Sacred Heart and the Holy Eucharist. The only omissions for this seasonal volume are the obvious prefaces de tempore which could not be used during the volume’s currency, e.g., Easter and Pentecost. It is difficult in a review to avoid overpraising the work. Its appearance is quite handsome, the “cheap” edition (about $80) being bound in brown vinyl, fully rubricated with a bright red ink, and equipped with six ribbons.

For any serious student of the Roman rite, this is an essential acquisition, and should put to rest the hoary concept that Latin is no longer a language of the Roman Church. — Harold Hughesdon

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 16, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR shamefully granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Holy Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand while it’s sung … even though everything about the SEQUENCE—including its name—means it should follow the Alleluia. Furthermore, imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“To speak the language of God’s beauty, we must first begin to listen. And to listen, we must have silence in our lives. I pray that God will open our eyes and ears to beauty, and help us use it in the service of the Truth.”

— Bishop James D. Conley (10/4/2013)

Recent Posts

  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?
  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough
  • “Music List” • 27th in Ordinary Time (Year C)
  • Kids’ Choir Sings Thomas Aquinas

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