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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Biography • Father David M. Friel

Fr. David Friel · January 10, 2013

EV. DAVID M. FRIEL, STD is a priest of the Archdiocese of Philadelphia, ordained in May 2011. He presently serves as Director of Liturgy at St. Charles Borromeo Seminary in Philadelphia and holds a doctorate in liturgical theology from The Catholic University of America in Washington, DC. He studied philosophy & theology at St. Charles Borromeo Seminary, where he also served as organist, cantor, and liturgical Master of Ceremonies. While there, he studied organ under Dr. Theodore Kiefer. His music has been published by CanticaNOVA Publications, and his Mass in Honor of St. John Neumann is available online through the Creative Commons. Upon ordination, Father Friel served for five years as Parochial Vicar at Saint Anselm Church in Northeast Philadelphia. During that time, he also served several communities of Catholic young adults and coached CYO basketball and volleyball. For several years, he also served as Vocation Director for the Archdiocese of Philadelphia.

Father Friel is a member of the Society for Catholic Liturgy and the Church Music Association of America. Among his research interests are aesthetics, sacred music (particularly sequences), the feast of Christ the King, and twentieth-century liturgical reform. His master’s thesis centered on the Proprium Missae (the chanted propers of the Mass), while, in his licentiate thesis, he studied the origins and theology of the term progressiva sollemnitas (the principle of “progressive solemnity”). His doctoral dissertation explores the liturgical theology of the feast of Christ the King.

Born in Bethlehem, PA, Father Friel grew up in the Archdiocese of Philadelphia at Our Lady of Mt. Carmel Parish. He enjoys climbing mountains, visiting national parks, running, reading, and sports of all kinds. Father Friel lives in Philadelphia and serves a number of area parishes on Sundays and feast days. Father Friel may be contacted via email.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Last Updated: November 27, 2024

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

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