• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

St. Joseph Triduum — Installment No. 1

Fr. David Friel · March 15, 2012

The Solemnity of Saint Joseph is for many Catholics (especially Italians) a beloved annual respite from the Great Fast of Lent. I would like to offer three reflections in the coming days as a sort of “triduum” as we approach this feast on March 19th.

How many men named Joseph would you guess are mentioned in the Bible? I was surprised that I was able to find at least twelve different Josephs.

1. Joseph, the husband of Mary (Luke 1:27)
2. Joseph, the son of Jacob (Genesis 37-50)
3. Joseph, the father of Igal (Numbers 13:7)
4. Joseph, son of Asaph, a musician of David (1 Chronicles 5:2, 9)
5. Joseph, a Jew who divorced his Gentile wife after the captivity (Ezra 10:42)
6. Joseph, a chief priest (Nehemiah 12:14)
7. Joseph, son of Mattathias (Luke 3:24)
8. Joseph, father of Judah (Luke 3:30)
9. Joseph of Arimathea, buried Jesus in his personal tomb (John 19:38)
10. Joseph, son of Juda (Luke 3:26)
11. Joseph Barsabas, also called Justus (Acts 1:23-25)
12. Joseph, a Levite of Cyprus (Acts 4:36)

The most obvious Joseph is the foster father of Jesus, but he is certainly not the only one. I propose that we may be able to learn from a closer inspection of two of the other Josephs. Thus, our first reflection will consider the man we shall call Joseph of Egypt, the son of Jacob who becomes a major character in the Book of Genesis. In the second reflection, we shall reflect upon Joseph of Arimathea, the man in whose tomb Jesus was buried. And finally, in the third reflection, we shall focus solely upon Joseph of Nazareth, the foster father of Jesus.

Most people know more about Joseph, the son of Jacob, than they might think. He is the Joseph who wore the “coat of many colors.” He is the Joseph who had wild dreams and could interpret other people’s dreams. He is the Joseph who was one of twelve brothers. So, things started out fairly well for this Joseph. He had a good background.

But things went rapidly downhill. His brothers all turned on him and decided to kill him. Then, rather than actually kill him, they decided to sell him into slavery in Egypt for twenty pieces of silver. While he was in Egypt, a woman named Potiphar tried to seduce him, but, when he resisted, she made a wrongful accusation against him. Then he was thrown into prison unjustly, all the while cut off from his home and family.

What caused everything to fall apart? Genesis 37:3 presents the ironic key to understanding this sudden turn of fate. In that verse, it is written that “Israel [Jacob] loved Joseph best of all his sons, for he was the child of his old age.” It is this love, strangely, that becomes the cause of Joseph’s downfall. Because Jacob had shown favoritism to his son Joseph, the other eleven brothers became jealous. They saw the way their father treated him better, and it became the key to his undoing.

Jacob, had he been a wiser father, could have approached his children differently. I have a brother and two sisters, for example, and we used to pester my mom when we were kids, asking her which one of us she loved best. My brother, who is the oldest, would claim to be “the one she loved first.” I, as the youngest, would claim to be “the one she loved most.” But, my mother, in her wisdom, has always given the same reply: “I love each of you equally.”

So, what does the Old Testament story of Joseph of Egypt have to teach us? It tells us something about the love of a father, which needs to be constant & fair & strong. Whereas Jacob made a mistake by favoring one son over his others, God the Father never makes that mistake. God the Father, to be sure, has an intense love for Jesus, His Son. But here is an unfathomable truth: God does not love us any less! All of us who have been baptized are God’s children by adoption—truly beloved sons & daughters. And He loves all of us with the same intensity with which He loves Jesus. What an incredible blessing: God the Father does not love us any less than He loves God the Son.

Saint Joseph was a good Jew who knew his Bible, so he would have known & loved & been inspired by this story of his namesake, Joseph of Egypt. Although Saint Joseph had only one son, not twelve, he is still a father to all of us, inasmuch as he is the “Patron of the Universal Church.” He would have learned from the mistake of Jacob, who “loved Joseph best of all his sons.” Centuries later, this story taught Saint Joseph how to love Jesus with constant, fair, and strong—fatherly—love.

And now, Saint Joseph, just like God the Father, looks upon us and says: “I love each of you equally.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“These liturgists protest that the choir must be encouraged, but in the same breath we are told its purpose is to lead the congregation in the singing of hymns and other unison music. These directions from non-musicians who have never created a musical sound—let alone direct a choir—are the cause of consternation among practicing musicians, both instrumentalists and singers.”

— Monsignor Richard J. Schuler (30 November 1967)

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.