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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Veronica Brandt • Article Archive

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and six children.—Read full biography (with photographs).

Veronica Brandt · March 23, 2019

Upgrading to a Missa Cantata for Singers

One of those fantastic diagrams of the structure of the Mass, expostulated in under 9 minutes.

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Veronica Brandt · March 16, 2019

A German Franciscan Soldier who Sang

Excerpts from the life of Fr Gereon Goldmann – bombs, concentration camps, espionage and Gregorian chant.

Veronica Brandt · March 9, 2019

Every Church Musician Deserves Music Lessons

In which Veronica describes some unexpected benefits of taking up music lessons.

Veronica Brandt · March 2, 2019

God of Mercy and Compassion

Two hymns with the same opening line, but very different content. A mystery rewrite symptomatic of an avoidance of personal contrition.

Veronica Brandt · December 1, 2018

PDF Download • “Easy Organ Interludes” (229 pages)

Giovanni Battista Fasolo published an enormous book of organ interludes without pedals • Pierre Gouin typed them up, bringing you this clear window into renaissance liturgical music for free! • Enjoy this treasure trove of organ music from almost 400 years ago! Plus a few highlights from along the way+

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Veronica Brandt · October 6, 2018

Archbishop Anthony Fisher Apologizes

Sparks of hope from the youth synod – an apology mentioning “unbeautiful” liturgies and witholding the Church’s treasury of prayers.

Veronica Brandt · July 7, 2018

Flos Carmeli for a Carmelite Novena

A printable copy of the beautiful Carmelite sequence with English translation alongside. Time to practise ready for the Feast Day on July 16!

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Veronica Brandt · June 10, 2018

Save the World: Build More Carmels

Society grows great when old men plant trees whose shade they know they shall never sit in.

Veronica Brandt · June 9, 2018

Perpetual Succour Passes the Equator

One young doctor sailing across the Pacific Ocean to raise money for the Indigenous Literacy Foundation. You do meet all sorts at Mass.

Veronica Brandt · June 2, 2018

FSSP Camp in Sydney, Australia

Living the Liturgy requires a little study. Learning Thomistic philosophy opens up new dimensions to the prayers we love so much.

Veronica Brandt · May 19, 2018

Benedictines in Tasmania a Year Already

The Notre Dame Priory continues to attract postulants and may have found a permanent home.

Veronica Brandt · March 28, 2018

Ratchets instead of Bells for your Electric Angelus

Remember to change any electronic bells this Friday and Saturday! Links to some good ratchet sounds included.

Veronica Brandt · February 24, 2018

Build your Music Theory Skills

How to Finally Acquire a Musical Education While Still in College or Anywhere Else (with apologies to James V Schall)

Veronica Brandt · February 17, 2018

Towards a Standard Protocol for Frayed Ribbons

Adding ribbons sounds like a fine idea, until they fray and come adrift. Serious bookmakers take precautions to stop ribbons fraying, but even amateurs can learn from these tips.

Veronica Brandt · January 27, 2018

Can You Sing Along to Monks?

A video to supplement our local choir practices – a quick run through Missa Orbis Factor (also known as Mass XI) – the Gregorian Mass setting for Sundays during the year.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

Recent Posts

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  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

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