Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · July 4, 2014

Colloquium Update II

Resources for Accompanying Gregorian Chant

Fr. David Friel · July 3, 2014

Colloquium Update I

All the things I love about the Colloquium experience are here in force: an extraordinary faculty, magnificent liturgies, good fellowship, etc.

Fr. David Friel · June 29, 2014

Strong with God’s Strength

Saints Peter & Paul

Fr. David Friel · June 22, 2014

Archbishop Sample’s Letter On Sacred Music (7 of 8)

May the Archbishop’s reflections & exhortations bear fruit in practical renewal!

Fr. David Friel · June 15, 2014

Gregory the Great Academy

An Interview with Matt Williams

Fr. David Friel · June 8, 2014

Pentecost: Babel, Tongues, & Latin

Do churchgoers of my generation—who, largely, have no experience of Latin in the liturgy at all—even recognize the gift that has been lost?

Fr. David Friel · June 1, 2014

Liturgy & Clericalism

Love of liturgy—and, specifically, employment of its traditional forms—is not clericalism.

Fr. David Friel · May 29, 2014

Living for Heaven

The Ascension as Our Model

Fr. David Friel · May 25, 2014

150 Years of Sacred Music

A Philadelphia History

Fr. David Friel · May 18, 2014

Collected Works of Joseph Ratzinger

Beginning with Liturgy

Fr. David Friel · May 11, 2014

Does a Liberal Arts Education Have Any Value?

Without the visual arts, music, theater, architecture, and the like, future generations will have no sense of culture.

Fr. David Friel · May 4, 2014

Parish May Crownings

A strong devotional life in the parish church will naturally support and strengthen its liturgical vitality.

Fr. David Friel · April 27, 2014

The Mercy of God Makes Saints

Unmasking the Media’s Mythical Divide Between Popes

Fr. David Friel · April 20, 2014

Book Review: Killing Jesus

Was It Worth the Read?

Fr. David Friel · April 17, 2014

A Priest’s Litany of Thanksgiving

A Preparation for the Celebration of Holy Thursday

Simplified Accompaniment (Easter Hymn)

Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.

—Jeff Ostrowski

PDF Download • “Quasi Modo Sunday”

The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.

—Jeff Ostrowski

‘German’ Introductions for Hymns

German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!

—Jeff Ostrowski

PDF Download • “Anima Christi”

I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.

—Jeff Ostrowski

PDF • “Liturgical Law” (467 Pages)

On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!

—Jeff Ostrowski

“Gregorian Chant Quiz” • 24 March 2026

How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!

—Jeff Ostrowski