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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music. Read more.

Dr. Peter Kwasniewski · September 4, 2014

Mass Among the Poor

Does it seem strange that religious orders dedicated to serving the poor would also be rediscovering the traditional Latin Mass?

Dr. Peter Kwasniewski · August 28, 2014

The Awesomeness of the Holy Sacrifice of the Mass

A Benedictine monk helps us appreciate the tremendous miracle of the Mass, which is the central point of all earthly reality.

Dr. Peter Kwasniewski · August 21, 2014

Why the Mass is the Key to the New Evangelization

We hear a lot these days about the New Evangelization, but not so much about the Holy Sacrifice of the Mass. And yet the Mass is at the very heart of our mission.

Dr. Peter Kwasniewski · August 14, 2014

Important Resources for Liturgical Reform (7 of 7)

“Who could have anticipated such a Renaissance of music-making in the desert of postmodernity? Yet this was but the first wave, and now we are enjoying a second…”

Dr. Peter Kwasniewski · August 7, 2014

St. Thomas on the “Asperges” (Sprinkling Rite)

St. Thomas did not comment specifically on the custom of sprinkling the people with holy water prior to the principal Sunday Mass; but he did explain exactly why it’s a good idea to do such a thing.

Dr. Peter Kwasniewski · July 31, 2014

Away with the World—Let Heaven Enter

Music, for a Christian, should serve the same purpose as everything else in life: weaning us from excessive attachment to this world and lifting our souls heavenward.

Dr. Peter Kwasniewski · July 24, 2014

“What Shall I Render to the Lord…”

It is impossible for us, by ourselves, to make a just return to the Lord for all He has given to us. But “with the Lord, nothing is impossible.”

Dr. Peter Kwasniewski · July 17, 2014

Basic Steps To Improve Music At Your Parish — Part 2

I have been asked to recommend some ways in which any parish in the United States could improve the music used at Mass. Some parishes may already have taken the following two steps, in which case my advice will be nugatory for them, but if your parish has not yet done so, now’s the time to begin.

Dr. Peter Kwasniewski · July 10, 2014

Pope Francis on Sound Doctrine, Memory, and Adoration

“One of the most common canards now broadcast is that Pope Francis cares but little for the sacred liturgy…”

Dr. Peter Kwasniewski · July 3, 2014

Music Rules Over Us

Music is like a food that either makes us healthy or sick; indeed, it shapes our souls in its image.

Dr. Peter Kwasniewski · June 26, 2014

On the Objectivity of the Beautiful

Can we really rank the works of fine art? Is one composer greater than another, one piece of sacred music more beautiful than another? Or is it all relative?

Dr. Peter Kwasniewski · June 19, 2014

Archbishop Sample’s Letter On Sacred Music (4 of 8)

“Everything in God’s good creation is hierarchically ordered, and the virtue of each part is to belong to the whole in the right way…”

Dr. Peter Kwasniewski · June 12, 2014

Art as Affirmation and Sacrifice

True art affirms the Catholic Faith—and represents a spiritual sacrifice pleasing and acceptable to the Lord.

Dr. Peter Kwasniewski · June 5, 2014

What the Ordinary Form Could Be: The Vienna Oratory

Have you ever wondered what a Novus Ordo High Mass might look like? Read on…

Dr. Peter Kwasniewski · May 29, 2014

The Danger of Being Arbitrary in the Liturgy

Traditional practices form a coherent whole, as they developed organically together. In many ways the liturgical reform was mechanistic and ideological.

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Corpus Christi Watershed

President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

Recent Posts

  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses
  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)

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