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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China). Read more.

Aurelio Porfiri · August 13, 2014

The Plague

When I speak with Pope Francis, will I ask him to care about sacred music? No. Abuses of the liturgy? No, I will ask him about the root of these problems.

Aurelio Porfiri · August 5, 2014

The Semiologist And The Unbeliever

Once upon a time there was a musician who thought he knew how Gregorian chant should be performed, and was very suspicious of the “semiologists.”

Aurelio Porfiri · August 4, 2014

Modernity Impact

For me tradition is not going to the past, but going to the origins.

Aurelio Porfiri · July 30, 2014

Felix Culpa

Life is not a piece of cake. And the Mass is not a Sunday recreational moment. We need to feel the burning of being close to God.

Aurelio Porfiri · July 29, 2014

Missionaries

Maybe today we need missionaries of a different kind, ready to announce the beauty of our faith and tradition with an understanding of the new needs of a changing world.

Aurelio Porfiri · July 28, 2014

Facebook, Scammers, and the Economy of Words

No, dear girls, I do not want to know more about you, but maybe it would be good for you to know something more about me.

Aurelio Porfiri · July 22, 2014

Basic Steps To Improve Music At Your Parish — Part 7

Guided by this one principle, every parish: “will become a model in its own way, and the liturgical reform, in its essence and demands, will be happily fulfilled.” — Aurelio Porfiri

Aurelio Porfiri · July 17, 2014

Fr. Enrico Zoffoli and the Passion of the Lord

“And so, for Jesus – and for us – the Passion is everything, the Passion decides everything.” — Fr. Zoffoli

Aurelio Porfiri · July 16, 2014

Confession 2.0

“You know I will never betray you, lol.” How many Hail Marys would this kind of sin deserve?

Aurelio Porfiri · July 15, 2014

I Am Not A Contemporary

Job searching is tough, you say? Try searching as a Church musician who is not “contemporary.”

Aurelio Porfiri · July 10, 2014

Why Did Nobody Inform Me That Latin Was Abolished?

“The request freaked the Deacon out, and, through sweat, he answered that the Council had abolished Latin.”

Aurelio Porfiri · July 8, 2014

Remembering Cardinal Virgilio Noè

If you think that he did not care, as many prelates, about who and what was playing, you would be “hugely wrong.”

Aurelio Porfiri · July 1, 2014

A Name To Remember

If you don’t know who Divo Barsotti is, his discovery will be for you like “exploring a continent for the first time.”

Aurelio Porfiri · June 30, 2014

Appropriate

I am sure 100% of you will agree that: “a rock band is not going to entertain fans at the sound of Gregorian chant.”

Aurelio Porfiri · June 25, 2014

The Downside Of Dialogue

We have a saying in Italy: “The road to hell is paved with good intentions.”

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

Recent Posts

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  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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