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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China). Read more.

Aurelio Porfiri · August 13, 2014

The Plague

When I speak with Pope Francis, will I ask him to care about sacred music? No. Abuses of the liturgy? No, I will ask him about the root of these problems.

Aurelio Porfiri · August 5, 2014

The Semiologist And The Unbeliever

Once upon a time there was a musician who thought he knew how Gregorian chant should be performed, and was very suspicious of the “semiologists.”

Aurelio Porfiri · August 4, 2014

Modernity Impact

For me tradition is not going to the past, but going to the origins.

Aurelio Porfiri · July 30, 2014

Felix Culpa

Life is not a piece of cake. And the Mass is not a Sunday recreational moment. We need to feel the burning of being close to God.

Aurelio Porfiri · July 29, 2014

Missionaries

Maybe today we need missionaries of a different kind, ready to announce the beauty of our faith and tradition with an understanding of the new needs of a changing world.

Aurelio Porfiri · July 28, 2014

Facebook, Scammers, and the Economy of Words

No, dear girls, I do not want to know more about you, but maybe it would be good for you to know something more about me.

Aurelio Porfiri · July 22, 2014

Basic Steps To Improve Music At Your Parish — Part 7

Guided by this one principle, every parish: “will become a model in its own way, and the liturgical reform, in its essence and demands, will be happily fulfilled.” — Aurelio Porfiri

Aurelio Porfiri · July 17, 2014

Fr. Enrico Zoffoli and the Passion of the Lord

“And so, for Jesus – and for us – the Passion is everything, the Passion decides everything.” — Fr. Zoffoli

Aurelio Porfiri · July 16, 2014

Confession 2.0

“You know I will never betray you, lol.” How many Hail Marys would this kind of sin deserve?

Aurelio Porfiri · July 15, 2014

I Am Not A Contemporary

Job searching is tough, you say? Try searching as a Church musician who is not “contemporary.”

Aurelio Porfiri · July 10, 2014

Why Did Nobody Inform Me That Latin Was Abolished?

“The request freaked the Deacon out, and, through sweat, he answered that the Council had abolished Latin.”

Aurelio Porfiri · July 8, 2014

Remembering Cardinal Virgilio Noè

If you think that he did not care, as many prelates, about who and what was playing, you would be “hugely wrong.”

Aurelio Porfiri · July 1, 2014

A Name To Remember

If you don’t know who Divo Barsotti is, his discovery will be for you like “exploring a continent for the first time.”

Aurelio Porfiri · June 30, 2014

Appropriate

I am sure 100% of you will agree that: “a rock band is not going to entertain fans at the sound of Gregorian chant.”

Aurelio Porfiri · June 25, 2014

The Downside Of Dialogue

We have a saying in Italy: “The road to hell is paved with good intentions.”

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“In accordance with the ancient tradition of the Church, institution to the ministries of reader and acolyte is reserved to men.”

— Pope Saint Paul VI (15 August 1972)

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  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

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