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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Emporium Kevin Allen • Official Site

Emporium Kevin Allen • Official Site

EVIN ALLEN has been highly regarded as a composer of opera, chamber and orchestral music. He has also developed a unique reputation as a composer of church music for the Roman Rite. By popular demand, his works are now being made available in EMPORIUM KEVIN ALLEN. Mr. Allen’s works, sacred and secular, have been performed in churches and concert halls throughout the United States and Europe. He is the founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata. Mr. Allen is also the choirmaster of the Monastery of the Holy Cross in Chicago.

🔴 Available on Amazon as of 29 June 2025:
Hymns of John Henry Cardinal Newman: Kevin Allen’s Legendary Choral Settings

+  STOWE MISSAL EUCHARISTIC MOTETS (SAB)
—For Soprano, Alto, and Bass • 28-page book • This is Volume 1 (additional volumes will be released each year) • These pieces employ the ancient communion texts from the 7th-century STOWE MISSAL.

+  MATRI DIVINAE GRATIAE (SAB)
—Simple pieces for Soprano, Alto, and Bass • sample page • 42-page book.

+ MISSA FIDELIS SERVUS
—SATB; A Cappella; Kyrie, Gloria, Credo, Sanctus, Agnus Dei • 25-page book.

+  MISSA NUN KOMM DER HEIDEN HEILAND
—SATB • Kyrie, Gloria, Sanctus & Hosanna, Benedictus & Hosanna, Agnus Dei • sample page • 12-page book.

+  MISSA AD TE LEVAVI
—SSA • Kyrie, Credo, Sanctus & Hosanna, Benedictus & Hosanna, Agnus Dei • sample page • 17-page book.

+  MISSA CHRISTUS REX
—SATB with Organ • Kyrie, Gloria, Sanctus & Hosanna, Benedictus & Hosanna, Agnus Dei • sample page • 24-page book.

+  MISSA PRO DEFUNCTIS QUINQUE VOCUM
—“Mass for the Dead” for SSATB chorus, a cappella • 55-page book • Requiem Mass.

+  MISSA BREVIS
—“Missa Brevis” for SATB chorus, a cappella • 13-page book.

+  MISSA ORBIS FACTOR
—For Treble Chorus, Chant Schola, and Strings Conductor’s Score (Full Score) with String parts (Violin I, Violin II, Viola, Violoncello, Contrabass) • 42-page book.
MMM Note: For “Missa Orbis Factor,” the Schola and Treble Chorus will sing from The Rehearsal Score (which has piano reduction).

+  MISSA REX GENITOR
—Mass for three equal voices • 25-page book • 34 practice videos by Matthew J. Curtis.

+  CANTIONES SACRAE II
—Fifteen SATB motets • 55-page book • includes the famous “Tantum Ergo” which opens Sacred, Beautiful, & Universal • 15 free practice videos by Matthew J. Curtis.

+  MISSA REX SPLENDENS
—Mass for SA chorus, chant schola, & organ • 30-page book • based on Gregorian Chant Mass VII in the Kyriale.

+  “I Sing of a Maiden”
—SATB + ORGAN • 8 pages long.

+  MOTECTA TRIUM VOCUM
—Twelve (12) motets for three equal voices • 64-page book • includes optional Psalms in Latin & English • more than 56 free practice videos by Matthew J. Curtis.

+  Missa de Beata Virgine • SATB Chorus A Cappella
—34 pages; Kyrie, Gloria, Credo, Sanctus, Hosanna, Benedictus, Hosanna, Agnus Dei.

+  CANTIONES SACRAE SIMPLICES (SATB)
—Twelve simple SATB motets • 84-page book • includes optional Psalms in Latin & English • more than 150 free practice videos by Matthew J. Curtis • Foreword by Dr. William Mahrt • Hear a live recording of one of these motets sung at the Vatican by the choir of the Sistine Chapel.

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

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