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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “2-Voice Hymn” (Holy Name)

Jeff Ostrowski · February 8, 2026

HERE IS ONE question which—as a Roman Catholic choirmaster—I dread very much. (I suspect my colleagues may also dread it.) The question is: “What would you recommend for a youngster interested in becoming a Catholic music director?” Knowing what I know about the sacred music scene, can I in good conscience recommend this challenging vocation to youngsters? After all, I don’t want to consign anyone to a life of disillusionment. In a moment, I’ll continue speaking about this topic. First, let me share a 2-voice arrangement of Brébeuf Hymn #554 (for the Most Holy Name of Jesus) which can be sung by one male and one female:

*  PDF Download • “2-voice arrangement of Brébeuf #554”

Here’s the direct URL link.

Difficulties and Obstacles • On this blog, we’ve often enumerated the obstacles which plague the conscientious choirmaster. One of them has to do with absences. Those who direct volunteer choirs must learn how to deal with absences. Realize that your singers will have family issues, health issues, vacations, school conflicts, transportation problems due to adverse weather conditions, birthday parties, employment conflicts, out-of-state funerals, and so forth. Sometimes, 75% of your choir members might be absent during scheduled rehearsals. This can be very disheartening for the director. How can progress be made when singers are absent? Moreover, the director must maintain an upbeat attitude. (By the way, never ‘vent’ to the singers who did show up.) Furthermore, the director must ‘adjust’ or ‘modify’ or ‘adapt’ the musical lineup, based upon which particular singers show up for rehearsal. If the absences become excessive, the conscientious choirmaster may be tempted to throw in the towel.

That Question • Now let me answer the earlier question: “Would you recommend a youngster pursuing the vocation of a Catholic music director?” I am comfortable recommending the choirmaster vocation if the candidate in question can learn to deal with absences. Perhaps it’s a bit like someone who wants to become a seminarian. I suspect wise priests would tell such a young man: “Don’t expect an easy life!” On the other hand, authentic Christians—and especially young men—find excitement in challenges!

2-Voice Arrangement • When there are many absences, a handy arrangement such as the one above provides a way forward, a ‘solution’ to absences, a way to proceed, a way to avoid despair. That particular hymn melody—featured heavily in the Brébeuf Catholic Hymnal—was greatly cherished by the Von Trapp Family Singers. If you’re in a real bind, the arrangement can even be sung by 1 male and 1 female! The SATB (4 part version) is also quite beautiful. As an added bonus, this meter works with most Latin breviary hymns.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 2-Voice Hymn Arrangement, Altona Hymn Tune, Hymn for the Most Holy Name, Simple Polyphony, Two Voice Polyphony, Victis Sibi Cognomina, Vom Himmel Hoch Da Komm Ich Her Last Updated: February 9, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)

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