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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF • “Dr. Adrian Fortescue: Priest & Musician”

Jeff Ostrowski · January 13, 2026

EOPLE ARE SURPRISED upon learning that John Henry Cardinal Newman initially spoke Latin with ‘traditional English’ pronunciation, but we really shouldn’t be. After all, it wasn’t until the reign of Pope Saint Pius X that Catholics were asked to adopt the Italian pronunciation of Latin. The following pamphlet—which is utterly fascinating—makes it clear that Father Adrian Fortescue (who had no great love for the Italians) forced his congregation and choir to use the ‘classical’ pronunciation, which allegedly reconstructs the ancient pronunciation based on three sources: [1] grammar books of the time; [2] rules of Latin poetry; [3] vandalism.1 Specifically, the pamphlet says:

“Dr. Fortescue wrote—and had printed and distributed among the parishioners—a leaflet on the classical pronunciation of Latin. This was one of his whims. Newcomers to the choir who sang ch instead of k in caeli, or v instead of w in ave, were scourged with whips, and he was so particular about the separate enunciation of each vowel in words like saecula that a strange priest coming to the church was heard innocently to regret that the choir sang in Cockney accents.”

*  PDF Download • DR. FORTESCUE: Priest & Musician
—Edith Cowell’s description of Father Adrian Fortescue (d. 1923), published the year he died.

Brief excerpt from the pamphlet:

“His congregation was (as Dr. Vance said in his funeral oration) the best educated in Europe. He took endless pains to make every person in the parish understand his religion, and appreciate the liturgy. He gave up two hours every Saturday evening to writing, in his exquisite hand, the notice-sheet for the week. During the war, when numbers of Belgians came to Mass, he wrote every notice in three languages—French and Flemish, as well as English. (In the same way, in those days, on great feasts, he would preach three sermons, one after the other, in English, French and Flemish, at every Mass.)”

Not to be missed is another pamphlet: “Adrian Fortescue a Memoir” by John G. Vance et alia.

1  Vandals were uneducated; therefore, they spelled according to “how words sounded.” That gives us a clue (allegedly) vis-à-vis how words may have been pronounced in the ancient centuries.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: February 10, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

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