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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Adeste Fideles” • Too Many Translations!

Jeff Ostrowski · January 2, 2026

FEW DAYS AGO, I posted this simplified keyboard arrangement (PDF) of “O Come, All Ye Faithful” (Adéste Fidéles) based on a famous version by David Willcocks (d. 2015), who at one time served as director of London’s ROYAL COLLEGE OF MUSIC. For reasons I can’t explain, it has been downloaded more than 1,000 times—which is kind of cool. In any event, those who consult the famous hymn dictionary by Dr. John Julian will discover there are an astonishing amount of English translations for this relatively recent Latin hymn. Broadly speaking, however, only one has attained general use throughout the English-speaking world.

For the record, here’s an English translation which—quite surprisingly—Dr. John Julian didn’t know about:

That fascinating translation comes from the pen of a Roman Catholic priest (Oblate of Mary Immaculate) named Father Fitzpatrick, whose exquisite poetry is featured in the Brébeuf Catholic Hymnal. On 23 August 1924, the most famous Catholic paper in England wrote of the Fitzpatrick hymn translations:

“It will be a happy day when the revival of the Liturgy goes so far as to put the best Breviary hymns in the place of the worst ‘popular’ doggerel, of which Catholic Sunday evening services often give us too large a dose. But the translations must be clear, bold, and easy to sing. ‘Hymns from the Liturgy’ is a fine effort in the right direction.”

Indeed, a few weeks ago, one of our parishioners (who’s a mother of 11 children) wrote to me regarding the Brébeuf Hymnal, which is found in the pews of our parish:

“I think the Brébeuf hymnal should
be in every parish because it is an
absolute treasure of Catholic artistry,
theology, and history. It both unites
us with centuries of Catholic tradition
and bridges that tradition to the present
by making the songs accessible and easy
to learn. Every week I feel like l’ve
been shown a new treasure, a song from
our rich Catholic heritage that I may
have never heard, but instantly love.
The theology of the songs is
inspirational and instructional.
Compared to the Protestant-inspired
hymn books I’ve experienced in the
past at multiple parishes, I feel
like this would go a long way in
helping categorize and form
parishioners in the true depth of
Catholic theology and spirituality.”

There’s no way I could run our parochial choral program without it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Adeste Fideles, O Come All Ye Faithful, Royal College of Music London England Last Updated: January 2, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“It is true that I have a preference for those who are discarded,” said Francis, for he is a humble man and would be the first to admit it.

— Tim Stanley, writing for “The Telegraph” on 13 March 2023

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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