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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”

Dr. Samuel Backman · October 11, 2025

S AUTUMN BREAKS, I am overwhelmed by the magnificence of God’s creation as I look out the window, drive to work, or walk about. The variety and beauty of trees and various forms of greenery is astonishing throughout the spring and summer, but it is especially poignant when the foliage begins to take on a vibrant, kaleidoscopic color palette of deep reds, orange, yellow, and chartreuse colors. The harvest season is a time in which God’s lavish and manifold providence is on display even in nature. I once heard a seminary professor and priest posit in a homily that one can learn more about God in looking closely at a tree than from a theology textbook. Rest assured, this priest was in no way minimizing or downplaying the importance of such crucial teachings such as the Trinity or Incarnation. Rather, he was simply making the point that God makes his infinite and intangible goodness known to us through his creation, as St. Paul states in Romans 1:20:

For since the creation of the world
His invisible attributes, that is,
His eternal power and divine nature,
have been clearly perceived.

It is interesting to note the manner in which human beings come to know about God. The theory of knowing—or epistemology—that I am laying out comes from the Ancient Greek philosopher, Aristotle, who lived about 300 years prior to the birth of Christ. An apt picture of Aristotle is given to us in Raphael’s painting entitled The School of Athens, where he is shown walking alongside his famous (and slightly older) contemporary Plato. In this fresco, Plato as portrayed as pointing to the heavens, whereas Aristotle is seen pointing to that which is before him. While Plato looks beyond the physical, created realm for enlightenment and knowledge, Aristotle takes as his starting point the tangible, concrete objects that are before his very eyes. While an in-depth comparison of the teachings of these great philosophers is far beyond the scope of this post, it must be acknowledged that both of them had tremendous influence on the Christian tradition. The Apostle Paul and St. Augustine were deeply rooted in the tradition of Plato, and St. Thomas Aquinas’ sacramental theology—most importantly his articulation of the Transubstantiation—owed a tremendous debt to the metaphysical teachings of Aristotle.

The Aristotelian and Thomistic theory of knowledge can be understood as a “common man’s” approach: we know things not initially on the basis of lofty theories, but because we have seen them with our own eyes. Unlike angels, whose knowledge is transmitted in a purely intellectual manner, God created human beings in such a way that obtain knowledge through the senses, and often in a gradual manner. For example, before a human being can begin to comprehend the self-sacrificial agape love of God in any full sense, they experience a lesser (though still substantial and often heroic) form of love as an infant through the tenderness of a mother or father. Furthermore, before we humans can know any concept in a general or universal sense, we must encounter it through a particular instantiation. For example, returning to the topic of trees, as a child, I came to know about trees not through first understanding an abstract category or definition, but because my parents taught me that the word for the towering evergreen outside our window was “tree.” It was after I had this basic knowledge of a particular that I was able to understand that there was a broader category of trees with different subsidiary species. For example, even though it looked a little different, I came to know that the sugar maple that was across the yard from the evergreen was also a tree.

Speaking of trees, I think they are one of God’s most apt didactic tools for teaching us humans about the iterative and expansive nature of tradition. It is important to note, when viewing a tree, that we actually see only a portion of it. One of the most structurally crucial elements of the tree—namely, its root system—is completely hidden. Throughout the course of the tree’s life, the roots organically expand and circumnavigate obstacles in order to ensure that proper support is given to the towering structure above. Interfering with a tree’s root system poses substantial threats to life and stability of the tree. A skilled arborist may guide the growth of a tree by pruning certain branches, but certainly never by altering the root system or making numerous major and rash alterations. While it is true that occasional course corrections optimize the growth and shape of the tree, excessive intervention can very easily threaten the vitality of the tree.

The Church’s Liturgy, like a tree, is built upon the foundation of a proverbial root system that is largely invisible to the onlooker. Similarly, it has been tended and watered by saints and martyrs, many of whom are not even known to us by name. Despite its expansive growth from its seedling years, it maintains general structure, even though some particularities have been changed over time. In the same way that a tree develops a system of separate branches to channel its life, the Church has not only the Latin Rite, but twenty-three different Eastern Rites. The Church firmly planted in Christ’s sacrificial death—which was on a tree, and we have been assured that “the gates of hell shall not prevail against it.” (Matthew 16:18) Nevertheless, we must not be naïve to the reality that there are dangers confronting the Church and it’s Liturgy.

While I could say much about particulars, I would rather simply make the point that the Church’s Liturgy must be understood receptively. As a fan of the Downton Abbey series, I have always been struck by the attitude of protagonist, Lord Robert Grantham, who views himself not as an owner of his estate, but as its caretaker. Such should be the manner in which all of us understand our relationship to the liturgy. It must be understood as something that we steward, not something that we reinvent or reshape. When I mentioned a “careless arborist” above, the carelessness is not a symptom of quietism or neglect, but from an overactive intervention. Trimming too many branches from a tree or trying to reshape a trees growth to abruptly can be problematic. Even if one’s intentions are wholesome, the wrong approach can be problematic.

I strongly suspect that most of the readership of this blog would not find themselves in the category of people who are looking to try a “clown Mass” or some other dubious experiment! I hardly have to sit down and chronicle the liturgical abuses that have plagued the Church for the past several decades. I have generally tried to avoid falling into the trap of using “traditional vs. progressive” nomenclature, as this terminology can be painfully imprecise or mirror the manner in which we understand politics. Nevertheless, I’m breaking from that momentarily to say that those of us (myself included) who fall more squarely into the “traditional” category must exercise prudence. All of us, progressive and traditional alike, have been formed in an era during which the liturgy has fallen prey to the whims of subjective preference. Wherever any Catholic falls on the “traditional vs. progressive” spectrum, it is crucial to remember that Divine Worship of the Church transcends our personal preferences.

I conclude by stating another painful reality about the life of trees as well as the life of the Church: growth is generally slow. Painfully, dreadfully, torturously slow—or, at least so it seems at times. For us fallen human beings, delayed gratification is a crucial part of our sanctification. Recall this line from Christ’s Parable of the Sower:

“Other seed fell on rocky ground, where it did not have much soil, and it sprang up quickly, since it had no depth of soil.” (Mark 4:5)

Is it better for us to clamor after fast results, or play the long game? Let us instead be like the “blessed man” of Psalm 1:

“He shall be like a tree which is
planted near the running waters, which
shall bring forth its fruit, in due season.
And his leaf shall not fall off: and all
whatsoever he shall do shall prosper.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 11, 2025

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About Dr. Samuel Backman

Samuel earned degrees at Saint Olaf College, Yale University, and the University of Oklahoma. He resides with his wife in Minneapolis, Minnesota.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

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  • “Dies Irae” • A Monstrous Translation

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