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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Can You Identify This “Mystery” Hymn Tune?

Jeff Ostrowski · September 22, 2025

ENRY FITZALAN-HOWARD, 15th Duke of Norfolk and Earl of Arundel, was related to Saint Philip Howard (13th Earl of Arundel) who was imprisoned for ten years1 by the Anglicans and died one year after Palestrina’s death. In 1875, John Henry Cardinal Newman wrote a famous RESPONSE to William Gladstone’s anti-Catholic views which took the form of a public letter to Fitzalan (Fitzalan having agreed to this proposal), being titled “Letter to the Duke of Norfolk.” Beginning in 1898, he edited—with assistance from Charles Tindal Gatty—the hymnal Arundel Hymns, to which Pope Leo XIII contributed a preface (in the form of a personal letter). In a moment, I’ll speak more about the 1905 ARUNDEL HYMNAL.

Kevin Allen, currently visiting France, sent the following snippet—recorded on 21 September 2025—from the RECESSIONAL HYMN in Lyon, at a parish run by the Priestly Fraternity of Saint Peter:

Here’s the direct URL link.

Mysterious Melody • I sent the snippet to each of our contributors, but nobody’s been able to identify it. Do you recognize it? It reminds me of this melody found in the 1905 ARUNDEL HYMNAL, edited by the Duke of Norfolk:

*  PDF • 1905 “Arundel Hymns” (Duke of Norfolk)

Please email me if you can help identify that tune!

1 Saint Philip Howard had been present at a 1581 debate in the Tower of London in 1581 between a group of Protestant theologians and Sts. Edmund Campion and Ralph Sherwin, which led him back to the true Church. Saint Philip Howard shares a feast-day with Sts. Isaac Jogues and John de Brébeuf, and his poetry is featured in the Brébeuf Catholic Hymnal. The Texas Secretary of State chose their feast-day, 19 October, to recognize Corpus Christi Watershed as a 501(c)3 public charity in 2006.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Arundel Hymnal Duke of Norfolk, Pope Leo XIII Arundel Hymnal Last Updated: September 22, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The choir shall henceforth sing or say no anthems of our Lady or other Saints, but only of our Lord, and then not in Latin; but choosing out the best and most sounding to Christian religion they shall turn the same into English, setting thereunto a plain and distinct note for every syllable one: they shall sing them and none other.”

— 1548 Edict of King Edward VI (a heretic) for Lincoln Cathedral

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