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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Reform of the Reform” officially embraced by USCCB

Jeff Ostrowski · August 25, 2025

HE SECOND Vatican Council, in §50 of its first document, said that “the rite of the Mass is to be revised.” Pope Saint Paul VI gave this task to various groups, and the Novus Ordo was released circa 1970. Later on, when folks began to study SACROSANCTUM CONCILIUM, it became apparent the liturgical changes far exceeded the “revisions” mandated by Vatican II. The question then became is it possible to reform the reform? Is such a thing possible?

Vatican Says “Yes” • The Vatican has shown that it’s possible for such a thing to occur. For instance, in 1981 a Vatican official didn’t like the Responsorial Psalm assigned for the 18th Sunday in Ordinary Time (Year C) … so he changed it to a different one. Every country since 1981 has been mandated to use the new psalm—not what was mandated in 1970—and none have resisted. This is an example of reforming the reform.

USCCB Joins The Cause • On 27 November 2011, the USCCB took a more audacious and far-reaching step. This has to do with the antiphons assigned for the Introit and Communion. As part of the 1970 reform, a Benedictine priest from Spain named DOM ADALBERT FRANQUESA GARRÓS created a bunch of “alternate” propers, to be used for private Masses and Masses without music. These are generally referred to as the Adalbert Propers or the Spoken Propers. Sadly, the Adalbert Propers manifest an impoverished theology. Dom Adalbert claimed certain passages of Sacred Scripture “lose almost all of their meaning” unless they are sung to certain melodies—an assertion which is bizarre and seems close to heresy. There’s no need to repeat what’s already been said about the Adalbert Propers. The main thing to understand is what Pope Saint Paul VI declared on 3 April 1969:

“Although the text of the Roman Gradual—
at least that which concerns the singing—
has not been changed, the Entrance
antiphons & Communions antiphons have been
revised for Masses without singing.”

To view this quotation with your own eyes, simply open any ALTAR MISSAL printed after 1969. It’s included in the front of each and every printed copy, even the most recent American editions.

Major Alteration to 1970 Missal • But on 27 November 2011, the USCCB made a significant change to what the reformers had done. They got approval from the Vatican for a special “United States Adaptation” which changed the 1970 rite. Specifically, the “United States Adaptation” says the Adalbert Propers can replace the antiphons in the (post-conciliar) GRADUALE ROMANUM. Sometimes, the Adalbert Propers correspond loosely to the antiphons assigned by the 1970 liturgical books, but frequently they’re taken from completely different books of the Bible.

Conclusions • It isn’t known why this USA adaptation—which fundamentally modifies the 1970 rite—was requested (or granted). Indeed, the chairman of the USCCB liturgical committee in November of 2007 told the conference of bishops the Adalbert Propers “were never intended to be sung, but are provided without notation to be recited whenever the GRADUALE ROMANUM or another song is not sung.” He said this was made clear to him by “recent research, confirmed by unofficial discussions with officials of the Holy See during the past several years.” He then felt the need to reiterate that the Adalbert Propers “which differ substantially from the sung antiphons of the GRADUALE ROMANUM, were never intended to be sung.” So a case can’t be made the USCCB didn’t know what they were doing in this particular instance.

Nothing, therefore, stands in the way in principle of a “Reform of the Reform.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, THE ADALBERT PROPERS Last Updated: August 25, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Come now,” they said, “Thou who wouldst destroy the temple and build it up in three days, rescue Thyself; come down from that cross, if Thou art the Son of God.”

— Gospel of St. Matthew 27:42

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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