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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Reform of the Reform” officially embraced by USCCB

Jeff Ostrowski · August 25, 2025

HE SECOND Vatican Council, in §50 of its first document, said that “the rite of the Mass is to be revised.” Pope Saint Paul VI gave this task to various groups, and the Novus Ordo was released circa 1970. Later on, when folks began to study SACROSANCTUM CONCILIUM, it became apparent the liturgical changes far exceeded the “revisions” mandated by Vatican II. The question then became is it possible to reform the reform? Is such a thing possible?

Vatican Says “Yes” • The Vatican has shown that it’s possible for such a thing to occur. For instance, in 1981 a Vatican official didn’t like the Responsorial Psalm assigned for the 18th Sunday in Ordinary Time (Year C) … so he changed it to a different one. Every country since 1981 has been mandated to use the new psalm—not what was mandated in 1970—and none have resisted. This is an example of reforming the reform.

USCCB Joins The Cause • On 27 November 2011, the USCCB took a more audacious and far-reaching step. This has to do with the antiphons assigned for the Introit and Communion. As part of the 1970 reform, a Benedictine priest from Spain named DOM ADALBERT FRANQUESA GARRÓS created a bunch of “alternate” propers, to be used for private Masses and Masses without music. These are generally referred to as the Adalbert Propers or the Spoken Propers. Sadly, the Adalbert Propers manifest an impoverished theology. Dom Adalbert claimed certain passages of Sacred Scripture “lose almost all of their meaning” unless they are sung to certain melodies—an assertion which is bizarre and seems close to heresy. There’s no need to repeat what’s already been said about the Adalbert Propers. The main thing to understand is what Pope Saint Paul VI declared on 3 April 1969:

“Although the text of the Roman Gradual—
at least that which concerns the singing—
has not been changed, the Entrance
antiphons & Communions antiphons have been
revised for Masses without singing.”

To view this quotation with your own eyes, simply open any ALTAR MISSAL printed after 1969. It’s included in the front of each and every printed copy, even the most recent American editions.

Major Alteration to 1970 Missal • But on 27 November 2011, the USCCB made a significant change to what the reformers had done. They got approval from the Vatican for a special “United States Adaptation” which changed the 1970 rite. Specifically, the “United States Adaptation” says the Adalbert Propers can replace the antiphons in the (post-conciliar) GRADUALE ROMANUM. Sometimes, the Adalbert Propers correspond loosely to the antiphons assigned by the 1970 liturgical books, but frequently they’re taken from completely different books of the Bible.

Conclusions • It isn’t known why this USA adaptation—which fundamentally modifies the 1970 rite—was requested (or granted). Indeed, the chairman of the USCCB liturgical committee in November of 2007 told the conference of bishops the Adalbert Propers “were never intended to be sung, but are provided without notation to be recited whenever the GRADUALE ROMANUM or another song is not sung.” He said this was made clear to him by “recent research, confirmed by unofficial discussions with officials of the Holy See during the past several years.” He then felt the need to reiterate that the Adalbert Propers “which differ substantially from the sung antiphons of the GRADUALE ROMANUM, were never intended to be sung.” So a case can’t be made the USCCB didn’t know what they were doing in this particular instance.

Nothing, therefore, stands in the way in principle of a “Reform of the Reform.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, THE ADALBERT PROPERS Last Updated: August 25, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.”

— Professor László Dobszay

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