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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Reform of the Reform” officially embraced by USCCB

Jeff Ostrowski · August 25, 2025

HE SECOND Vatican Council, in §50 of its first document, said that “the rite of the Mass is to be revised.” Pope Saint Paul VI gave this task to various groups, and the Novus Ordo was released circa 1970. Later on, when folks began to study SACROSANCTUM CONCILIUM, it became apparent the liturgical changes far exceeded the “revisions” mandated by Vatican II. The question then became is it possible to reform the reform? Is such a thing possible?

Vatican Says “Yes” • The Vatican has shown that it’s possible for such a thing to occur. For instance, in 1981 a Vatican official didn’t like the Responsorial Psalm assigned for the 18th Sunday in Ordinary Time (Year C) … so he changed it to a different one. Every country since 1981 has been mandated to use the new psalm—not what was mandated in 1970—and none have resisted. This is an example of reforming the reform.

USCCB Joins The Cause • On 27 November 2011, the USCCB took a more audacious and far-reaching step. This has to do with the antiphons assigned for the Introit and Communion. As part of the 1970 reform, a Benedictine priest from Spain named DOM ADALBERT FRANQUESA GARRÓS created a bunch of “alternate” propers, to be used for private Masses and Masses without music. These are generally referred to as the Adalbert Propers or the Spoken Propers. Sadly, the Adalbert Propers manifest an impoverished theology. Dom Adalbert claimed certain passages of Sacred Scripture “lose almost all of their meaning” unless they are sung to certain melodies—an assertion which is bizarre and seems close to heresy. There’s no need to repeat what’s already been said about the Adalbert Propers. The main thing to understand is what Pope Saint Paul VI declared on 3 April 1969:

“Although the text of the Roman Gradual—
at least that which concerns the singing—
has not been changed, the Entrance
antiphons & Communions antiphons have been
revised for Masses without singing.”

To view this quotation with your own eyes, simply open any ALTAR MISSAL printed after 1969. It’s included in the front of each and every printed copy, even the most recent American editions.

Major Alteration to 1970 Missal • But on 27 November 2011, the USCCB made a significant change to what the reformers had done. They got approval from the Vatican for a special “United States Adaptation” which changed the 1970 rite. Specifically, the “United States Adaptation” says the Adalbert Propers can replace the antiphons in the (post-conciliar) GRADUALE ROMANUM. Sometimes, the Adalbert Propers correspond loosely to the antiphons assigned by the 1970 liturgical books, but frequently they’re taken from completely different books of the Bible.

Conclusions • It isn’t known why this USA adaptation—which fundamentally modifies the 1970 rite—was requested (or granted). Indeed, the chairman of the USCCB liturgical committee in November of 2007 told the conference of bishops the Adalbert Propers “were never intended to be sung, but are provided without notation to be recited whenever the GRADUALE ROMANUM or another song is not sung.” He said this was made clear to him by “recent research, confirmed by unofficial discussions with officials of the Holy See during the past several years.” He then felt the need to reiterate that the Adalbert Propers “which differ substantially from the sung antiphons of the GRADUALE ROMANUM, were never intended to be sung.” So a case can’t be made the USCCB didn’t know what they were doing in this particular instance.

Nothing, therefore, stands in the way in principle of a “Reform of the Reform.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, THE ADALBERT PROPERS Last Updated: August 25, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“We must remember that the important elements of a rite are not the things that will first be noticed by a casual and ignorant onlooker—the number of candles, colour of the vestments and places where the bell is rung—but just those things he would not notice: the Canon, fraction and so on, the prayers said in a low voice and the characteristic but less obvious rites done by the celebrant at the altar.”

— Fr. Fortescue explaining that Anglicanism does not preserve Sarum

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  • “Gregorian Chant Quiz” • 24 March 2026
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  • PDF Download • “Ubi Caritas” (SATB)

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