• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Reform of the Reform” officially embraced by USCCB

Jeff Ostrowski · August 25, 2025

HE SECOND Vatican Council, in §50 of its first document, said that “the rite of the Mass is to be revised.” Pope Saint Paul VI gave this task to various groups, and the Novus Ordo was released circa 1970. Later on, when folks began to study SACROSANCTUM CONCILIUM, it became apparent the liturgical changes far exceeded the “revisions” mandated by Vatican II. The question then became is it possible to reform the reform? Is such a thing possible?

Vatican Says “Yes” • The Vatican has shown that it’s possible for such a thing to occur. For instance, in 1981 a Vatican official didn’t like the Responsorial Psalm assigned for the 18th Sunday in Ordinary Time (Year C) … so he changed it to a different one. Every country since 1981 has been mandated to use the new psalm—not what was mandated in 1970—and none have resisted. This is an example of reforming the reform.

USCCB Joins The Cause • On 27 November 2011, the USCCB took a more audacious and far-reaching step. This has to do with the antiphons assigned for the Introit and Communion. As part of the 1970 reform, a Benedictine priest from Spain named DOM ADALBERT FRANQUESA GARRÓS created a bunch of “alternate” propers, to be used for private Masses and Masses without music. These are generally referred to as the Adalbert Propers or the Spoken Propers. Sadly, the Adalbert Propers manifest an impoverished theology. Dom Adalbert claimed certain passages of Sacred Scripture “lose almost all of their meaning” unless they are sung to certain melodies—an assertion which is bizarre and seems close to heresy. There’s no need to repeat what’s already been said about the Adalbert Propers. The main thing to understand is what Pope Saint Paul VI declared on 3 April 1969:

“Although the text of the Roman Gradual—
at least that which concerns the singing—
has not been changed, the Entrance
antiphons & Communions antiphons have been
revised for Masses without singing.”

To view this quotation with your own eyes, simply open any ALTAR MISSAL printed after 1969. It’s included in the front of each and every printed copy, even the most recent American editions.

Major Alteration to 1970 Missal • But on 27 November 2011, the USCCB made a significant change to what the reformers had done. They got approval from the Vatican for a special “United States Adaptation” which changed the 1970 rite. Specifically, the “United States Adaptation” says the Adalbert Propers can replace the antiphons in the (post-conciliar) GRADUALE ROMANUM. Sometimes, the Adalbert Propers correspond loosely to the antiphons assigned by the 1970 liturgical books, but frequently they’re taken from completely different books of the Bible.

Conclusions • It isn’t known why this USA adaptation—which fundamentally modifies the 1970 rite—was requested (or granted). Indeed, the chairman of the USCCB liturgical committee in November of 2007 told the conference of bishops the Adalbert Propers “were never intended to be sung, but are provided without notation to be recited whenever the GRADUALE ROMANUM or another song is not sung.” He said this was made clear to him by “recent research, confirmed by unofficial discussions with officials of the Holy See during the past several years.” He then felt the need to reiterate that the Adalbert Propers “which differ substantially from the sung antiphons of the GRADUALE ROMANUM, were never intended to be sung.” So a case can’t be made the USCCB didn’t know what they were doing in this particular instance.

Nothing, therefore, stands in the way in principle of a “Reform of the Reform.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, THE ADALBERT PROPERS Last Updated: August 25, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The replies to this committee (of which Mgr Bugnini was the secretary) reveal a desire to reform the liturgy. In what sense? Out of 2,109 responses from bishops, just three expressed the desire to restore Communion under both kinds. There was a sizable demand for limited use of the vernacular, but only one French bishop wanted the entire Mass in French.”

— Fr. Dominic Allain (2019)

Recent Posts

  • Psalm Tone Challenge!
  • Card. Heenan on Ronald Knox: “Perhaps the Church’s greatest figure of the 20th century.”
  • “Kaitrin Drost Strikes Again!” • Plus a Few Random Thoughts and Tirades by Jeff Ostrowski
  • PDF • “O Come All Ye Faithful” (Simplified)
  • Bing Crosby, Christmas, and Catholicism

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.