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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cardinal Heenan Speaks About Monsignor Knox

Jeff Ostrowski · August 20, 2025

UNTIL it was published in the third edition of the SAINT EDMUND CAMPION MISSAL, the splendid English translation of the Roman Canon by Monsignor Ronald Knox was unpublished and forgotten. His English translation of the EXSULTET (which, in my humble opinion, is peerless) was also published by Sophia Institute Press in that same book. Like so much of his work, these renderings by Knox are glorious, memorable, and inspiring. In 2010, Father George Rutler wrote that: “Archbishop Sheen told a friend of mine—in a moment perhaps made candid by the mellowing of years—that anything he had ever said of significance was taken from either Knox or Chesterton.”

John Cardinal Heenan, Archbishop of Westminster and friend of Evelyn Waugh and Malcolm Muggeridge, wrote as follows in 1973:

I went to the Somerset village of Mells to take leave of Monsignor Ronnie Knox who was dying of cancer. We had never been close friends but rather more than acquaintances. He was perhaps the greatest figure in the Church of the twentieth century. As a writer he was admired not only by his fellow Catholics and former colleagues of the Anglican Church but by all connoisseurs of stylish prose. His greatest contribution to literature was his translation of the bible into contemporary English. To this monumental task he brought not only his wide learning but an extraordinary capacity for assembling critical views of his draft translation to enable him to produce a final polished version. A notoriously shy man he might have been expected to work in scholarly solitude but he sought the help of the widest possible range of students, young and old, famous and obscure. All were invited to give their criticisms and suggestions. He was overwhelmed by the number of those who offered advice. After the publication of his translation he thanked all those who had written. Then (typically) he could not forbear to thank ‘still more’ those who did not proffer help. Although renowned as a preacher and scholar his real greatness lay in his holiness of life. He was very near death when I visited him but he received me with great courtesy and thanked me for coming to take leave of him. Being a genuine intellectual he had an essentially simple faith. He was what we now call an old-fashioned Catholic. He loved the Imitation of Christ of which he left an excellent but unfinished translation (published posthumously).

Envy • Recently, it has been fashionable for a certain cadre (who aren’t worthy to fasten his sandals) to denigrate Monsignor Knox. Frequently, this is done out of jealousy by folks who don’t receive the recognition they feel they deserve. Unfortunately, the rise of social media has made it possible for the “terminally online” to enter conversations where they don’t belong. In any event, serious people understand how phenomenal Knox was—and he hardly requires a defense by me! As Father Valentine Young used to say: “Do not cast your pearls before swine.”

Photograph of Ronald Arbuthnott Knox (1888-1957)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 21, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The current Ordo Missae, which has grown up in the course of the centuries, certainly is to be retained.” (Hodiernus Ordo Missæ, qui decursu saeculorum succrevit, certe retinendus est.)

— Clarification from a bishop on the Council’s Liturgical Commission (11-5-1962)

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