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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Marian Organ Work • a Triptych on “Lumen Ad Revelatiónem”

Richard J. Clark · August 11, 2025

TRIPTYCH on Lumen ad revelatiónem was composed for the 140th Anniversary of Saint John’s Seminary, Brighton, Massachusetts. Dedicated to Dr. Jennifer Pascual, she premiered this work in concert at Saint John’s Seminary on February 2, 2025, the Feast of the Presentation of the Lord. She has also since performed this work at Saint Patrick’s Cathedral, New York City (listen here), Christ the King Cathedral, Atlanta, Georgia, and Methuen Memorial Music Hall, (listen here) Methuen Massachusetts, one of the most glorious concert venues in the United States (pictured below). As expected, Pascual performed with brilliant virtuosity and sensitivity. Composed with three movements, each is a Marian meditation upon names of Our Lady from the Litany of Blessed Virgin Mary: I. Mother of our Savior, II. Singular Vessel of Devotion, III. Mystical Rose. 

** For program notes and information on the score click here.

DR. PASCUAL, Music Director of Saint Patrick’s Cathedral in New York City, does not just hold a distinctive position. She is greatly beloved and respected. This is far greater accomplishment. While she has conducted liturgies for Pope Benedict XVI at Yankee Stadium and Pope Francis and Madison Square Garden to tens of thousands of people on national television, she is as down to earth and genuine, quite disarming for someone in her position. She also hosts a weekly radio show on sacred music called “Sounds from the Spires” on SIRIUS XM 129 The Catholic Channel. The friendly and uplifting personality on the radio show is the same person you meet: no pretense, no self-aggrandizement. She is there to serve and elevate through sacred music and prayer.

** LISTEN AND PREVIEW the score below • Recorded by the composer at the Cathedral of the Holy Cross, Boston on the 101-rank E. & G. G. Hook & Hastings, Opus 801 organ (1875):

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 11, 2025

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

Recent Posts

  • New Marian Organ Work • a Triptych on “Lumen Ad Revelatiónem”
  • “Music List” • 21st in Ordinary Time (Year C)
  • “Entrance Chant” • 21st Sunday Ordin. Time
  • Do Protestants Have The Best Hymns?
  • “We Laughed It Off” • Archbishop of Portland on the Elimination of Latin from the Sacred Liturgy

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