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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Catholic Texts Transcend”

Julie Huebner · July 18, 2025

HILE IT’S DIFFICULT to choose a favorite sacred text, the antiphon “Ubi Cáritas et Amor” has been one of my favorites before I even knew from whence it came. I first sang it while surrounded by Lutherans: in Luther College’s Nordic Choir while on a Midwest Tour my junior year. It’s very difficult, even for Lutheran choral programs, to escape their Catholic origins—especially when said choral programs want to sing beautiful music and gorgeous texts. (I jest…or do I?) Thankfully, that tour actually traveled through my home Archdiocese of Milwaukee and we performed a concert at the beautiful Basilica of Saint Josephat with the Nordic Choir, under the baton of Dr. Allen Hightower, singing Z. Randall Stroop’s “Cáritas et Amor” (a piece the composer annually conducted at the Vatican for over a decade). Unfortunately, none of the scholae cantorum I currently conduct are SSATBB—although I’ll continue to pray for that someday!

Repertoire for Womens’ Choirs • What to sing during Offertory on Holy Thursday? That is where Christoph Dalitz’s lovely chant/polyphonic arrangement comes into play:

*  PDF Download • UBI CARITAS (SSAA)
—With polyphonic versets by Christoph Dalitz.

Here’s the direct URL link.

Dalitz Is Responsive • My Schola Immaculata sang Christoph Dalitz’s SSAA arrangement of the text on Holy Thursday (and when Milwaukee’s new Archbishop, Most Rev’d Jeffrey Grob, celebrated his first Mass at my parish a few weeks later). This fully volunteer schola did a marvelous job considering that when done in its entirety, the piece is over 5 minutes in length and Mass is not a ‘controlled’ environment (i.e. the action of the Mass is occurring, children are crying, and so on). I have some other arrangements on my list for someday, but Mr. Dalitz’s is a gem. He is also very kind and responsive to emailing. I’ve done a couple other pieces from his rather substantial choral library, although this is unfortunately the only one I remembered to record. I’m making plans for my Schola Immaculata to sing one of his versions of the MAGNIFICAT, but I prefer slightly different version to work for my women’s schola than what was available at the time. He says at the bottom of his website to email him if anyone needed something transposed … so I did, he promptly responded, and already posted the new edition to his website.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Christoph Dalitz, ubi caritas Last Updated: July 18, 2025

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About Julie Huebner

Julie earned degrees at Luther College and Southern Illinois University. With her husband and three children, she resides in Wauwatosa, Wisconsin.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Chants closely related to the readings should, of course, be appropriately transferred for use with these readings. For pastoral reasons also there is an option regarding the chants for the Proper of Seasons: namely, as circumstances suggest, to replace the text proper to a day with another text belonging to the same season.”

— Ordo Cantus Missae (1971)

Recent Posts

  • PDF Download • “Catholic Texts Transcend”
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  • “Musicam Sacram” (5 March 1967) • Does It Apply?
  • “What Martin Luther Said…”
  • “Music List” • 15th in Ordinary Time (Year C)

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