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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Catholic Texts Transcend”

Julie Huebner · July 18, 2025

HILE IT’S DIFFICULT to choose a favorite sacred text, the antiphon “Ubi Cáritas et Amor” has been one of my favorites before I even knew from whence it came. I first sang it while surrounded by Lutherans: in Luther College’s Nordic Choir while on a Midwest Tour my junior year. It’s very difficult, even for Lutheran choral programs, to escape their Catholic origins—especially when said choral programs want to sing beautiful music and gorgeous texts. (I jest…or do I?) Thankfully, that tour actually traveled through my home Archdiocese of Milwaukee and we performed a concert at the beautiful Basilica of Saint Josephat with the Nordic Choir, under the baton of Dr. Allen Hightower, singing Z. Randall Stroop’s “Cáritas et Amor” (a piece the composer annually conducted at the Vatican for over a decade). Unfortunately, none of the scholae cantorum I currently conduct are SSATBB—although I’ll continue to pray for that someday!

Repertoire for Womens’ Choirs • What to sing during Offertory on Holy Thursday? That is where Christoph Dalitz’s lovely chant/polyphonic arrangement comes into play:

*  PDF Download • UBI CARITAS (SSAA)
—With polyphonic versets by Christoph Dalitz.

Here’s the direct URL link.

Dalitz Is Responsive • My Schola Immaculata sang Christoph Dalitz’s SSAA arrangement of the text on Holy Thursday (and when Milwaukee’s new Archbishop, Most Rev’d Jeffrey Grob, celebrated his first Mass at my parish a few weeks later). This fully volunteer schola did a marvelous job considering that when done in its entirety, the piece is over 5 minutes in length and Mass is not a ‘controlled’ environment (i.e. the action of the Mass is occurring, children are crying, and so on). I have some other arrangements on my list for someday, but Mr. Dalitz’s is a gem. He is also very kind and responsive to emailing. I’ve done a couple other pieces from his rather substantial choral library, although this is unfortunately the only one I remembered to record. I’m making plans for my Schola Immaculata to sing one of his versions of the MAGNIFICAT, but I prefer slightly different version to work for my women’s schola than what was available at the time. He says at the bottom of his website to email him if anyone needed something transposed … so I did, he promptly responded, and already posted the new edition to his website.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Christoph Dalitz, ubi caritas Last Updated: July 21, 2025

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About Julie Huebner

Julie earned degrees at Luther College and Southern Illinois University. With her husband and three children, she resides in Wauwatosa, Wisconsin.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Religious worship supplies all our spiritual need, and suits every mood of mind and variety of circumstance.

— John Henry Cardinal Newman

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