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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Catholic Texts Transcend”

Julie Huebner · July 18, 2025

HILE IT’S DIFFICULT to choose a favorite sacred text, the antiphon “Ubi Cáritas et Amor” has been one of my favorites before I even knew from whence it came. I first sang it while surrounded by Lutherans: in Luther College’s Nordic Choir while on a Midwest Tour my junior year. It’s very difficult, even for Lutheran choral programs, to escape their Catholic origins—especially when said choral programs want to sing beautiful music and gorgeous texts. (I jest…or do I?) Thankfully, that tour actually traveled through my home Archdiocese of Milwaukee and we performed a concert at the beautiful Basilica of Saint Josephat with the Nordic Choir, under the baton of Dr. Allen Hightower, singing Z. Randall Stroop’s “Cáritas et Amor” (a piece the composer annually conducted at the Vatican for over a decade). Unfortunately, none of the scholae cantorum I currently conduct are SSATBB—although I’ll continue to pray for that someday!

Repertoire for Womens’ Choirs • What to sing during Offertory on Holy Thursday? That is where Christoph Dalitz’s lovely chant/polyphonic arrangement comes into play:

*  PDF Download • UBI CARITAS (SSAA)
—With polyphonic versets by Christoph Dalitz.

Here’s the direct URL link.

Dalitz Is Responsive • My Schola Immaculata sang Christoph Dalitz’s SSAA arrangement of the text on Holy Thursday (and when Milwaukee’s new Archbishop, Most Rev’d Jeffrey Grob, celebrated his first Mass at my parish a few weeks later). This fully volunteer schola did a marvelous job considering that when done in its entirety, the piece is over 5 minutes in length and Mass is not a ‘controlled’ environment (i.e. the action of the Mass is occurring, children are crying, and so on). I have some other arrangements on my list for someday, but Mr. Dalitz’s is a gem. He is also very kind and responsive to emailing. I’ve done a couple other pieces from his rather substantial choral library, although this is unfortunately the only one I remembered to record. I’m making plans for my Schola Immaculata to sing one of his versions of the MAGNIFICAT, but I prefer slightly different version to work for my women’s schola than what was available at the time. He says at the bottom of his website to email him if anyone needed something transposed … so I did, he promptly responded, and already posted the new edition to his website.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Christoph Dalitz, ubi caritas Last Updated: July 21, 2025

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About Julie Huebner

Julie earned degrees at Luther College and Southern Illinois University. With her husband and three children, she resides in Wauwatosa, Wisconsin.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Now we are aware of the fact that during recent years some artists, gravely offending against Christian piety, have dared to bring into churches works devoid of any religious inspiration and completely at variance with the right rules of art.”

— Ven. Pope Pius XII (25 December 1955)

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  • “Simplified” Keyboard Accompaniment (PDF)

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