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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Catholic Texts Transcend”

Julie Huebner · July 18, 2025

HILE IT’S DIFFICULT to choose a favorite sacred text, the antiphon “Ubi Cáritas et Amor” has been one of my favorites before I even knew from whence it came. I first sang it while surrounded by Lutherans: in Luther College’s Nordic Choir while on a Midwest Tour my junior year. It’s very difficult, even for Lutheran choral programs, to escape their Catholic origins—especially when said choral programs want to sing beautiful music and gorgeous texts. (I jest…or do I?) Thankfully, that tour actually traveled through my home Archdiocese of Milwaukee and we performed a concert at the beautiful Basilica of Saint Josephat with the Nordic Choir, under the baton of Dr. Allen Hightower, singing Z. Randall Stroop’s “Cáritas et Amor” (a piece the composer annually conducted at the Vatican for over a decade). Unfortunately, none of the scholae cantorum I currently conduct are SSATBB—although I’ll continue to pray for that someday!

Repertoire for Womens’ Choirs • What to sing during Offertory on Holy Thursday? That is where Christoph Dalitz’s lovely chant/polyphonic arrangement comes into play:

*  PDF Download • UBI CARITAS (SSAA)
—With polyphonic versets by Christoph Dalitz.

Here’s the direct URL link.

Dalitz Is Responsive • My Schola Immaculata sang Christoph Dalitz’s SSAA arrangement of the text on Holy Thursday (and when Milwaukee’s new Archbishop, Most Rev’d Jeffrey Grob, celebrated his first Mass at my parish a few weeks later). This fully volunteer schola did a marvelous job considering that when done in its entirety, the piece is over 5 minutes in length and Mass is not a ‘controlled’ environment (i.e. the action of the Mass is occurring, children are crying, and so on). I have some other arrangements on my list for someday, but Mr. Dalitz’s is a gem. He is also very kind and responsive to emailing. I’ve done a couple other pieces from his rather substantial choral library, although this is unfortunately the only one I remembered to record. I’m making plans for my Schola Immaculata to sing one of his versions of the MAGNIFICAT, but I prefer slightly different version to work for my women’s schola than what was available at the time. He says at the bottom of his website to email him if anyone needed something transposed … so I did, he promptly responded, and already posted the new edition to his website.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Christoph Dalitz, ubi caritas Last Updated: July 21, 2025

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About Julie Huebner

Julie earned degrees at Luther College and Southern Illinois University. With her husband and three children, she resides in Wauwatosa, Wisconsin.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The main place should be given, all things being equal, to gregorian chant, as being proper to the roman Liturgy. Other kinds of sacred music, in particular polyphony, are in no way excluded, provided that they correspond to the spirit of the liturgical action and that they foster the participation of all the faithful.”

— ‘2011 GIRM, §41 (Roman Missal, 3rd Edition)’

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