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Views from the Choir Loft

“Simple English Propers” • Error this Sunday?

Jeff Ostrowski · April 27, 2025

N THE VERY FIRST document ratified by the Second Vatican Council, we find the following mandate (SACROSANCTUM CONCILIUM, §23): “There must be no innovations unless the good of the Church genuinely and certainly requires them.” But during the season of Easter, the 1970 kalendar made an insanely confusing change: the numbers are all mixed up. For instance, in the traditional kalendar, this coming Sunday—27 April 2025,1 with the familiar “Quasi modo” INTROIT—is referred to as the 1st Sunday after Easter. But in the 1970 kalendar, this coming Sunday—27 April 2025, with the familiar “Quasi modo” INTROIT—is referred to as the 2nd Sunday of Easter. This confusion lasts all throughout Eastertide. For instance, next Sunday (4 May 2025) in the traditional kalendar is the Second Sunday after Easter. But in the 1970 kalendar, next Sunday (4 May 2025) is referred to as the Third Sunday of Easter. In the traditional kalendar, 11 May 2025 is the Third Sunday after Easter. But in the 1970 kalendar, 11 May 2025 is called “The Fourth Sunday of Easter.”

Did the good of the Church
“genuinely and certainly”
require this confusing change?

“SEP” Error • In light of all the changes, it’s not surprising errors crept in. I believe I may have found an error in the Simple English Propers (CMAA, 2011). Specifically, the ENTRANCE CHANT for this coming Sunday,1 which uses the wrong psalm:

The correct psalm is PSALM 80: “Exsultáte Deo adjutóri nostro; jubiláte Deo Jacob.”

I have no idea how this “typo” or “mistake” or “error” crept in. Perhaps there’s a reason they didn’t use PSALM 80—but that’s what been used for centuries. It’s also what’s assigned by the Ordo Cantus Missae (1970) as well as the 1974 GRADUALE ROMANUM:

If anyone can explain this, I’m all ears.

Addendum • Getting back to my initial theme … as far as I can tell, the traditional naming of the Sundays after Easter goes back many centuries. Below is an excerpt from 1066nimes|1066, a manuscript that was (perhaps) created sometime around the year 1066AD:

Vatican II said: “There must be no innovations unless the good of the Church genuinely and certainly requires them.” What specifically was “deficient” about the traditional naming system? Were millions of Catholics begging the pope to change it? This seems like yet another example of change for the sake of change.

What specifically changed in the year 1970 that made such tinkering necessary? How was the Catholic Church able to produce so many amazing and inspiring saints (for so many centuries) before that change was made? It seems like the ancient Christians got along just fine with the traditional naming system… Would Saint John Bosco have been a better saint if he’d experienced the new naming system? How about Saint Francis of Assisi? How about Saint Isaac Jogues? What about Bernadette Soubirous? What about Saint Andrew Bobola? They all seem to have been just fine.

One final time I ask: Did the good of the Church “genuinely and certainly require” that the 5th Sunday after Easter be changed to the 6th Sunday of Easter?

1 This Sunday has many names: (a) Low Sunday; (b) “Dominica in Albis” or White Sunday; (c) Octave Day of Easter; (d) Divine Mercy Sunday; (e) Quasi Modo Sunday; etc.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dominica in Albis, Low Sunday, Quasi Modo Introit, SEP Simple English Propers CMAA Last Updated: April 28, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

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“To get people together once a week without an objective is deadly.”

— Dr. Roger Wagner (19 December 1960)

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