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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Simple English Propers” • Error this Sunday?

Jeff Ostrowski · April 27, 2025

N THE VERY FIRST document ratified by the Second Vatican Council, we find the following mandate (SACROSANCTUM CONCILIUM, §23): “There must be no innovations unless the good of the Church genuinely and certainly requires them.” But during the season of Easter, the 1970 kalendar made an insanely confusing change: the numbers are all mixed up. For instance, in the traditional kalendar, this coming Sunday—27 April 2025,1 with the familiar “Quasi modo” INTROIT—is referred to as the 1st Sunday after Easter. But in the 1970 kalendar, this coming Sunday—27 April 2025, with the familiar “Quasi modo” INTROIT—is referred to as the 2nd Sunday of Easter. This confusion lasts all throughout Eastertide. For instance, next Sunday (4 May 2025) in the traditional kalendar is the Second Sunday after Easter. But in the 1970 kalendar, next Sunday (4 May 2025) is referred to as the Third Sunday of Easter. In the traditional kalendar, 11 May 2025 is the Third Sunday after Easter. But in the 1970 kalendar, 11 May 2025 is called “The Fourth Sunday of Easter.”

Did the good of the Church
“genuinely and certainly”
require this confusing change?

“SEP” Error • In light of all the changes, it’s not surprising errors crept in. I believe I may have found an error in the Simple English Propers (CMAA, 2011). Specifically, the ENTRANCE CHANT for this coming Sunday,1 which uses the wrong psalm:

The correct psalm is PSALM 80: “Exsultáte Deo adjutóri nostro; jubiláte Deo Jacob.”

I have no idea how this “typo” or “mistake” or “error” crept in. Perhaps there’s a reason they didn’t use PSALM 80—but that’s what been used for centuries. It’s also what’s assigned by the Ordo Cantus Missae (1970) as well as the 1974 GRADUALE ROMANUM:

If anyone can explain this, I’m all ears.

Addendum • Getting back to my initial theme … as far as I can tell, the traditional naming of the Sundays after Easter goes back many centuries. Below is an excerpt from 1066nimes|1066, a manuscript that was (perhaps) created sometime around the year 1066AD:

Vatican II said: “There must be no innovations unless the good of the Church genuinely and certainly requires them.” What specifically was “deficient” about the traditional naming system? Were millions of Catholics begging the pope to change it? This seems like yet another example of change for the sake of change.

What specifically changed in the year 1970 that made such tinkering necessary? How was the Catholic Church able to produce so many amazing and inspiring saints (for so many centuries) before that change was made? It seems like the ancient Christians got along just fine with the traditional naming system… Would Saint John Bosco have been a better saint if he’d experienced the new naming system? How about Saint Francis of Assisi? How about Saint Isaac Jogues? What about Bernadette Soubirous? What about Saint Andrew Bobola? They all seem to have been just fine.

One final time I ask: Did the good of the Church “genuinely and certainly require” that the 5th Sunday after Easter be changed to the 6th Sunday of Easter?

1 This Sunday has many names: (a) Low Sunday; (b) “Dominica in Albis” or White Sunday; (c) Octave Day of Easter; (d) Divine Mercy Sunday; (e) Quasi Modo Sunday; etc.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dominica in Albis, Low Sunday, Quasi Modo Introit, SEP Simple English Propers CMAA Last Updated: April 28, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

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