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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Simple English Propers” • Error this Sunday?

Jeff Ostrowski · April 27, 2025

N THE VERY FIRST document ratified by the Second Vatican Council, we find the following mandate (SACROSANCTUM CONCILIUM, §23): “There must be no innovations unless the good of the Church genuinely and certainly requires them.” But during the season of Easter, the 1970 kalendar made an insanely confusing change: the numbers are all mixed up. For instance, in the traditional kalendar, this coming Sunday—27 April 2025,1 with the familiar “Quasi modo” INTROIT—is referred to as the 1st Sunday after Easter. But in the 1970 kalendar, this coming Sunday—27 April 2025, with the familiar “Quasi modo” INTROIT—is referred to as the 2nd Sunday of Easter. This confusion lasts all throughout Eastertide. For instance, next Sunday (4 May 2025) in the traditional kalendar is the Second Sunday after Easter. But in the 1970 kalendar, next Sunday (4 May 2025) is referred to as the Third Sunday of Easter. In the traditional kalendar, 11 May 2025 is the Third Sunday after Easter. But in the 1970 kalendar, 11 May 2025 is called “The Fourth Sunday of Easter.”

Did the good of the Church
“genuinely and certainly”
require this confusing change?

“SEP” Error • In light of all the changes, it’s not surprising errors crept in. I believe I may have found an error in the Simple English Propers (CMAA, 2011). Specifically, the ENTRANCE CHANT for this coming Sunday,1 which uses the wrong psalm:

The correct psalm is PSALM 80: “Exsultáte Deo adjutóri nostro; jubiláte Deo Jacob.”

I have no idea how this “typo” or “mistake” or “error” crept in. Perhaps there’s a reason they didn’t use PSALM 80—but that’s what been used for centuries. It’s also what’s assigned by the Ordo Cantus Missae (1970) as well as the 1974 GRADUALE ROMANUM:

If anyone can explain this, I’m all ears.

Addendum • Getting back to my initial theme … as far as I can tell, the traditional naming of the Sundays after Easter goes back many centuries. Below is an excerpt from 1066nimes|1066, a manuscript that was (perhaps) created sometime around the year 1066AD:

Vatican II said: “There must be no innovations unless the good of the Church genuinely and certainly requires them.” What specifically was “deficient” about the traditional naming system? Were millions of Catholics begging the pope to change it? This seems like yet another example of change for the sake of change.

What specifically changed in the year 1970 that made such tinkering necessary? How was the Catholic Church able to produce so many amazing and inspiring saints (for so many centuries) before that change was made? It seems like the ancient Christians got along just fine with the traditional naming system… Would Saint John Bosco have been a better saint if he’d experienced the new naming system? How about Saint Francis of Assisi? How about Saint Isaac Jogues? What about Bernadette Soubirous? What about Saint Andrew Bobola? They all seem to have been just fine.

One final time I ask: Did the good of the Church “genuinely and certainly require” that the 5th Sunday after Easter be changed to the 6th Sunday of Easter?

1 This Sunday has many names: (a) Low Sunday; (b) “Dominica in Albis” or White Sunday; (c) Octave Day of Easter; (d) Divine Mercy Sunday; (e) Quasi Modo Sunday; etc.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dominica in Albis, Low Sunday, Quasi Modo Introit, SEP Simple English Propers CMAA Last Updated: April 28, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.”

— Dom Anselmo Albareda (2 January 1953), Father Nicola Giampietro, page 249

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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