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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Extremely Rare” — German Organ Accompaniment for Hymnal (158 pages)

Jeff Ostrowski · April 26, 2025

BEGAN WORKING for Corpus Christi Watershed as an employee for $7.50 per hour. Eventually, I was elected president by the board of directors. Like all officers, I serve at the pleasure of the board. (I’m not a board member.) One predominant “mission” or “objective” of mine is to make sure the entire website always remains free, without even requiring a login. Over the years, we have amassed something like 26 million downloads. If we required paid membership, I believe our influence and reach would be severely curtailed.

This Year • This year, we tried an experiment. Sending out letters of acknowledgment to our monthly donors, we included a PDF link to an extremely rare organ accompaniment for a German hymnal (158 pages). The idea was to “reward” our donors by giving them a special gift.

The Future • I realize other websites provide “exclusive content” to those who pay a membership fee. As I’ve already explained, I have always rejected this idea. I feel it’s crucial to offer everything for free. Am I foolish for believing this? It’s certainly possible. Perhaps someday we will offer “premium content”—but I think it would be annoying for folks to have to keep entering a login (especially if they’re trying to access our website from a different device).

Get Your Download • If anyone reading this is willing to sign up as a monthly donor, please contact us via email so we can send you the ‘secret’ link to the PDF file. (Again, the only people who currently have access to it are those who donated in 2024.) The hymnal contains many interesting organ interludes:

*  PDF Download • Organ Prelude

The hymnal contains numerous “Singmesse” specimens:

*  PDF Download • Lateinische Singmesse

Many hymns from the Brébeuf Catholic Hymnal also appear in this rare hymnal. For example, #736 in the Brébeuf matches this one:

*  PDF Download • O Esca Viatorum

Many people know “Omni Die, Dic Mariae” (Daily, daily, sing to Mary), and the German hymnal provides a groovy little introduction:

*  PDF Download • Omni Die, Dic Mariae

“Christus Ist Erstanden” is a favorite hymn of singers, as well as composers such as Sebastian Bach, Heinrich Schütz, and Max Reger :

*  PDF Download • Christus Ist Erstanden

Conclusion • If you value what we offer on our website, please consider donating $5.00 per month, or even $3.00 per month. We’re a tiny 501(c)3 public charity which exists solely by the generosity of small donors. We have no endowment; we have no major donors; we run no advertisements; we have no savings. Please alert others to what we’re trying to accomplish. Thank you!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Christus Ist Erstanden HYMN Last Updated: April 26, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The Night Office—Nocturns or Matins—except for Holy Week, Easter Octave, and Christmas, has never appeared in the Vatican edition. The larger part of the mediaeval repertory for the Office thus remains still unpublished in the Vatican edition, and is likely to remain so, for the obvious reason that almost no cathedral chapters or monastic choirs sing the Night Office regularly today.”

— John Merle Boe (1968)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.