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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“From A Priest” • Reader Feedback (28 March 2025)

Corpus Christi Watershed · March 28, 2025

The following came from a Catholic priest.
[We usually redact names for anonymity’s sake.]

OUR ARTICLE which spoke of holy week reforms by several popes was superb. I agree with everything you wrote. I grew up in an Italian American family. I often heard stories of Holy Week devotions that nourished the faith of countless generations that were lost to the “reforms” of Pius XII. For instance: Visiting the Repository in seven churches by walking from church to church; nighttime processions; the Burial Service or “Funeral” of Christ; and so on.

More Examples • My mother recalls rushing home from school on Holy Thursday to begin the pilgrimage from church to church. This was in the suburbs so it lasted into the evening. There were groups of people all doing the same thing. They would save their parish church for last and try to be in time for TENEBRAE. The WATCH continued all through the night until the Mass of the Presanctified. On Good Friday afternoon there was the Tre Ore followed by Stations of the Cross. At night there was a procession through the streets with a statue of Cristo Morto—which was brought to the Church and placed in the Sepulchre until Easter Sunday morning. People would visit it to pray for the souls in Purgatory. This all ended in the late 1950s. Over the years people have tried to revive the traditions with little success.

Impoverishment • Of course, you could visit the seven churches by car … but it’s not the same. Many parishes still have Stations of the Cross on Good Friday afternoon or evening, but few hold them during Lent. The baby has gone with the bath water, and we are greatly impoverished. Somehow the traditions have survived in Italy and other places outside the English speaking world; we need to recover them. Liturgical piety and popular piety are not mutually exclusive. Both nourish the soul and proclaim the Gospel—albeit in different ways.

Root Of All Sin • As to folks picking and choosing which rubrics to follow, I see it as personal preference rooted in the sin of pride. I like “123” so I will exert my power and control over everyone else. If you ask them why they generally can’t give a reasoned answer; it seems always about exerting power. As I see it, if you can’t give a reasoned explanation you should keep quiet and let the people with the knowledge direct and lead. But as long as we are a fallen race that will never happen. I apologize for blathering on. I pray that the coming HOLY WEEK won’t be too stressful for you. Remember it is all for the glory of God and the salvation of souls.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CCWatershed Feedback, Mass of the Presanctified, Reader Feedback Corpus Christi Watershed, Tenebrae Ceremonies Last Updated: March 28, 2025

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— Statement by the Supreme Pontiff (Sacramentum Caritatis, 22-feb-2007)

Recent Posts

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  • PDF Download • “Holy, Holy, Holy”
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  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship

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