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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“From A Priest” • Reader Feedback (28 March 2025)

Corpus Christi Watershed · March 28, 2025

The following came from a Catholic priest.
[We usually redact names for anonymity’s sake.]

OUR ARTICLE which spoke of holy week reforms by several popes was superb. I agree with everything you wrote. I grew up in an Italian American family. I often heard stories of Holy Week devotions that nourished the faith of countless generations that were lost to the “reforms” of Pius XII. For instance: Visiting the Repository in seven churches by walking from church to church; nighttime processions; the Burial Service or “Funeral” of Christ; and so on.

More Examples • My mother recalls rushing home from school on Holy Thursday to begin the pilgrimage from church to church. This was in the suburbs so it lasted into the evening. There were groups of people all doing the same thing. They would save their parish church for last and try to be in time for TENEBRAE. The WATCH continued all through the night until the Mass of the Presanctified. On Good Friday afternoon there was the Tre Ore followed by Stations of the Cross. At night there was a procession through the streets with a statue of Cristo Morto—which was brought to the Church and placed in the Sepulchre until Easter Sunday morning. People would visit it to pray for the souls in Purgatory. This all ended in the late 1950s. Over the years people have tried to revive the traditions with little success.

Impoverishment • Of course, you could visit the seven churches by car … but it’s not the same. Many parishes still have Stations of the Cross on Good Friday afternoon or evening, but few hold them during Lent. The baby has gone with the bath water, and we are greatly impoverished. Somehow the traditions have survived in Italy and other places outside the English speaking world; we need to recover them. Liturgical piety and popular piety are not mutually exclusive. Both nourish the soul and proclaim the Gospel—albeit in different ways.

Root Of All Sin • As to folks picking and choosing which rubrics to follow, I see it as personal preference rooted in the sin of pride. I like “123” so I will exert my power and control over everyone else. If you ask them why they generally can’t give a reasoned answer; it seems always about exerting power. As I see it, if you can’t give a reasoned explanation you should keep quiet and let the people with the knowledge direct and lead. But as long as we are a fallen race that will never happen. I apologize for blathering on. I pray that the coming HOLY WEEK won’t be too stressful for you. Remember it is all for the glory of God and the salvation of souls.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CCWatershed Feedback, Mass of the Presanctified, Reader Feedback Corpus Christi Watershed, Tenebrae Ceremonies Last Updated: March 28, 2025

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Franz Liszt was an eminent keyboard virtuoso but a dangerous example for the young. … As a composer he was terrible.”

— Clara Schumann

Recent Posts

  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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