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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

AI, Primary Things, & Our Parish Choir

Adam Raha · March 27, 2025

HE BUZZ of the day is not only rapid technological advancement, but artificial intelligence and what ‘bots’ can seemingly create. I say “seemingly” because what’s taking place isn’t actually creating, but a simulation of human creation through algorithms. Amidst the speed of this development, I find myself being tempted to drift from (and sometimes actually drifting from) primary things—i.e. the tangible human experiences that ground me in reality and draw me closer to God.

This Can’t Be Good • Artificial intelligence bots, social media algorithms, and digital interfaces increasingly mediate our interactions, sometimes replacing person-to-person relationships with “curated” simulation. It’s amazing what these bots can do. No doubt, we’ve all played with them a little to see what our inputs can produce. We initially desired curation for the purpose of a more “personal” experience. However, curation has become something so dominant, it may be hard to tell chicken from egg. Is the curation I experience from me (a true reflection of what I want), or shaping, nudging, and moving me based on what someone else wants for me due to the monetizing of experience? This shift pulls one away from the physical world as well – it’s textures, sounds…and silences. I move away from real communication that shapes me into a better person. The problem is that in persons, we find God.

Primary Things • Primary things matter because they change us. A conversation with a friend may reveal empathy. When I walk in the woods with my children, we’re stirred to awe by the simplest things: animals we encounter, growth we see, or the stream my kids can’t help getting into on a summer day. When I “porch sit” with friends in the evening and end up in a three hour conversation over a bourbon, that experience stays with me the next day—not just because it made me a little more tired, but because it was epic (albeit in a small way). These experiences aren’t just pleasant; they’re transformative, reorienting our behavior and opening new ways of seeing the Divine. Unlike sterile output from an AI-generated playlist, real things engage our senses and spirit in ways that echo in our lives, fostering communion with God and each other.

Something Powerful • Our parish choir here at Saint Mary of the Immaculate Conception stands as a powerful example of what I speak. Every Sunday, my family and I really want to attend no other Mass than the one the choir is singing at. Their voices, rising in sacred chant and hymns (not dictated by an algorithm, but born from tradition and human effort) isn’t background noise to fill silence: it’s a prayer. It elevates my soul during the Mass.

Banishing Distraction • The sound of their harmony, rooted in centuries of worship, pierces through all the distraction I face when I try to enter into Mass—which isn’t always easy. I still have small children (though my oldest is grown and married), and they easily distract, as do the many other sights: e.g. the faithful filing in, finding their seats, and navigating their own way through settling in and entering the Mass. Once the choir begins, it becomes a sort of “song for the soul.” Unlike technology’s fleeting distractions, this music lingers well, sits in my mind as wine sits in the mouth, shaping my prayer and drawing me up. SAINT AUGUSTINE, in his Confessions, wrote of sacred music’s power in this way:

“I feel that our souls are moved to the ardor of piety by the sacred words more piously and powerfully when these words are sung than when they are not sung.”

For him, plainsong isn’t mere decoration or “liturgical furniture” to be gawked at. It is interacted with and stirs the soul’s deepest affections, aligning them to prayer. Similarly, Saint Basil the Great praised psalmody, noting:

“When, indeed, the Holy Spirit saw that the human race was guided only with difficulty toward virtue, and that, because of our inclination toward pleasure, we were neglectful of an upright life, what did He do? The delight of melody He mingled with the doctrines so that by the pleasantness and softness of the sound heard we might receive without perceiving it the benefit of the words, just as wise physicians who, when giving the fastidious rather bitter drugs to drink, frequently smear the cup with honey. A psalm implies serenity of soul; it is the author of peace, which calms bewildering and seething thoughts. For, it softens the wrath of the soul, and what is unbridled it chastens… A psalm is a city of refuge from the demons; a means of inducing help from the angels, a weapon in fears by night, a rest from toils by day.”

Their wisdom reveals a truth we risk forgetting: sacred music isn’t just art (though it be the highest): it’s a conduit to Divine Communion.

I find that our choir offers us something primary, and I need to intentionally seek the primary things now, for what I’m offered most easily comes to me in other secondary, processed forms. I have found truth in PROSPER OF AQUITAINE‘S adage: “As I pray, so I believe,” to which later theologians added: “then so I live.”

Vivant res primariae, nam ut canto, sic oro.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 27, 2025

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About Adam Raha

Together with his wife, Adam Raha has embraced the role of being the first (and most important) teachers for their eight children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“One must pray to God not only with theologically precise formulas, but also in a beautiful and dignified way. The Christian community must make an examination of conscience so that the beauty of music and song will return increasingly to the liturgy.”

— Pope Saint John Paul II (26 February 2003)

Recent Posts

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  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment

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