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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Theology of Worship” • Msgr. Robert Skeris (1998)

Jeff Ostrowski · February 18, 2025

NYONE WHO HAS studied Catholic sacred music over the last sixty years will know the name of Monsignor Robert Alex Skeris. Some knew him as a professor at the Catholic University of America. Others knew him when he was head of the Theology department at Christendom college. In the CMAA journals, Msgr. Schuler often referenced “Father Skeris of Rome” since he ran the Pontifical Institute of Sacred Music during the 1980s. I was present when Monsignor Skeris gave a lecture to the Sacred Music Colloquium—which he helped found 60 years ago—and received a standing ovation from a packed auditorium. The audience just kept applauding for the longest time…to the point where my ears started to hurt!

A student of Monsignor Skeris sent me a marvelous interview from 7 January 1998. In it, Mother Angelica of EWTN asks Monsignor Skeris to explain the Theology of worship. This excerpt addresses participatio actuosa (“active participation”):

Here’s the direct URL link.

Mother Angelica asks why liturgical music must be sacred:

Here’s the direct URL link.

Monsignor Skeris mentions what the fathers of Vatican II actually voted upon regarding Latin in the liturgy:

Here’s the direct URL link.

The Full Video • You can obtain this 60-minute DVD by searching Google. I think it was in the range of $17.00, and you’ll enjoy hearing Monsignor Skeris give candid answers to excellent questions from the audience. He speaks about the relationship of text & music; why Gregorian chant is the Church’s preference; whether we can use orchestral Masses based on secular tunes; and numerous other topics. I like the part where Mother Angelica presses him to reveal his favorite piece of music! By the way, EWTN has posted a 1990 article by Monsignor Skeris:

*  PDF Download • “Participatio Actuosa” (1990)

If you doubt the importance of discussions by the fathers of Vatican II, read this 1976 reference to the Conciliar relationes.

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Addendum • Requiem
aeternam dona ei, Domine,
et lux perpetua luceat ei.
Requiescat in pace. Amen.

https://www.zimmerfuneralhome.com/obituaries/robert-skeris

https://www.christendom.edu/2025/02/19/christendom-mourns-the-passing-of-professor-emeritus-fr-robert-skeris/

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: EWTN Father Skeris, Monsignor Robert Alex Skeris, Participatio Actuosa Last Updated: February 20, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

But the revisers did not leave them altogether untouched. Saint Ambrose had to be “corrected.” The Iste confessor was greatly altered and the hymn for the Dedication of a Church, which no one ought to have touched, was in fact completely recast in a new meter.

— Father Joseph Connelly

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