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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Theology of Worship” • Msgr. Robert Skeris (1998)

Jeff Ostrowski · February 18, 2025

NYONE WHO HAS studied Catholic sacred music over the last sixty years will know the name of Monsignor Robert Alex Skeris. Some knew him as a professor at the Catholic University of America. Others knew him when he was head of the Theology department at Christendom college. In the CMAA journals, Msgr. Schuler often referenced “Father Skeris of Rome” since he ran the Pontifical Institute of Sacred Music during the 1980s. I was present when Monsignor Skeris gave a lecture to the Sacred Music Colloquium—which he helped found 60 years ago—and received a standing ovation from a packed auditorium. The audience just kept applauding for the longest time…to the point where my ears started to hurt!

A student of Monsignor Skeris sent me a marvelous interview from 7 January 1998. In it, Mother Angelica of EWTN asks Monsignor Skeris to explain the Theology of worship. This excerpt addresses participatio actuosa (“active participation”):

Here’s the direct URL link.

Mother Angelica asks why liturgical music must be sacred:

Here’s the direct URL link.

Monsignor Skeris mentions what the fathers of Vatican II actually voted upon regarding Latin in the liturgy:

Here’s the direct URL link.

The Full Video • You can obtain this 60-minute DVD by searching Google. I think it was in the range of $17.00, and you’ll enjoy hearing Monsignor Skeris give candid answers to excellent questions from the audience. He speaks about the relationship of text & music; why Gregorian chant is the Church’s preference; whether we can use orchestral Masses based on secular tunes; and numerous other topics. I like the part where Mother Angelica presses him to reveal his favorite piece of music! By the way, EWTN has posted a 1990 article by Monsignor Skeris:

*  PDF Download • “Participatio Actuosa” (1990)

If you doubt the importance of discussions by the fathers of Vatican II, read this 1976 reference to the Conciliar relationes.

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Addendum • Requiem
aeternam dona ei, Domine,
et lux perpetua luceat ei.
Requiescat in pace. Amen.

https://www.zimmerfuneralhome.com/obituaries/robert-skeris

https://www.christendom.edu/2025/02/19/christendom-mourns-the-passing-of-professor-emeritus-fr-robert-skeris/

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: EWTN Father Skeris, Monsignor Robert Alex Skeris, Participatio Actuosa Last Updated: February 20, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

Giovanni Doni is known for having changed the name of note “Ut,” renaming it “Do.” He convinced his contemporaries to make the change by arguing that 1) “Do” is easier to pronounce than “Ut,” and 2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. There is much academic speculation that Giovanni Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is also ulteriorly an abbreviation for his family name.

— Giovanni Battista Doni died in 1647AD

Recent Posts

  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?

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