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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reader Feedback • Re: “Simplified” Music (Part 2)

Corpus Christi Watershed · January 30, 2025

The following came from Celeste M.
[We usually redact names for anonymity’s sake.]

EAR CCW TEAM: With regard to your recent article on simplified organ music I see you already printed a response. But I wanted to chime in anyway. I haven’t been doing parish music that long—only about 3 years at this point. But I do it a lot. Until very recently, I was accompanying at least two weekend Mass (or either piano or organ), plus directing a children’s choir, plus organizing and accompanying pretty much all the weddings and funerals. (I’m happy to report I usually only do one weekend Mass most weeks now, and someone else has assumed responsibility for the children’s choir.) Except for weddings and funerals, I am a volunteer. While I feel that I’m reasonably skilled, I do not consider myself to be a professional musician. I have played piano for about 40 years in all sorts of contexts, but never attended a university music program, nor completed my ARCT (I stopped piano studies just as I started RCM grade 10). I started the organ after a single, solitary organ lesson about 2.5 years ago (plus lots of instructional YouTube videos), and I’m still quite terrible with my feet. But that is, in large part, because I never learn anything adequately. I’m just doing glorified sight-reading most weeks unless it’s a piece that we do very frequently. This is mostly due to a combination of factors: the sheer number of Masses I have to prepare unique music for, the sheer number of my children (five, two of which are high-needs), a lack of organ at home (I only have a piano), and the steady rhythm of the Church Year!

I really appreciate simplified music, in part because I’m pretty much always doing things by the seat of my pants. I would much rather play a simple version well than try to stumble my way through something poorly, or even worse, at a dragging tempo! My task is to support singing, and I can’t do that if I can’t play what is being sung, or play it at a tempo that isn’t conducive to singing. I also would rather have simple music and “complicate” it myself.1 I find the task of simplifying to be much harder, especially on the fly, which is pretty much the entirety of my experience as a church musician! So starting simple and letting me adjust based on my skill and practice time results in a better end product, a happier choir director, and a more appreciative congregation.

Thank you for everything you do. You are a tremendous resource for those of us out here in the proverbial wild!

1 Can I add a few pedals? Yes, I can! Can I fill out these chords? You bet! Can I insert some passing notes or make this chord more colorful? That would be lovely!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: January 30, 2025

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“The introduction of the vernacular will certainly be a great sacrifice for those who know the beauty, the power and the expressive sacrality of Latin. We are parting with the speech of the Christian centuries; we are becoming like profane intruders in the literary preserve of sacred utterance. We will lose a great part of that stupendous and incomparable artistic and spiritual thing, the Gregorian chant. We have reason indeed for regret […] We are giving up something of priceless worth.”

— Pope Paul VI

Recent Posts

  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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