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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Full Choir in FSSP-Caen

Veronica Moreno · January 20, 2025

(This is part of a series of posts about a pilgrimage.)

E WERE HOME: ten thousand kilometers away. The steps up Église Saint-Michel de Vaucelles, in a gritty kind of neighborhood, do not prepare you for what is inside. We were deliberate to include visits to local FSSP parishes as a big part of our summer pilgrimage. We were regular pilgrims and tourists praying on our journey, but we sought out places where our children could see the same Tradition we live at home.

This was our first Sunday Mass with the Fraternity in Caen, France. It was heavenly!

I have to explain that for the last few years, we have attended Sunday Mass in a tent! We are parishioners at St. Vitus, the FSSP-Los Angeles parish, and we now have a building! Hurray! But we were in a tent since 2020.

This experience has really shaped our ears and our other senses. Being inside this building in Caen, it was so obvious that the liturgy had designed this building.

This is what it looked like after our Prayers at the End of Mass.

Exploring the space, we saw this notice on a pillar. Asperges, Kyrale, Credo, Salve Regina. Latin sure does something to unite us, even if the readings and some of the hymns were in French. Some choir member or the choirmaster dutifully took the time to write this all out. Modern whiteboard up on an ancient pillar! (No powerpoint screen!) French accents! Latin! The Feast of the Sacred Heart!

Sorry Mr. Ostrowski, this was not the Saint John de Brébeuf Hymnal. The French vernacular is quite alive in this place! Everyone sang!

Now, being in the St Vitus choir ten years and having sung all of the music that Mr. Ostrowski has posted for all these years, I was pleasantly surprised that there was a full choir singing chant and polyphony. You can imagine the acoustics!

But imagine how much more for this member of a choir who was delegated to a storage room in the back of the Church, who had to use microphones to get the sound to a tent without walls! So it was quite refreshing to hear such sacred music sung where it’s supposed to be sung.

This is how the local municipal government website rejoices in its Church building:

A 12th century Romanesque tower, a 15th century choir, a 16th century nave, not to mention the classical façade built at the end of the 18th century: Saint-Michel-de-Vaucelles truly appears as a synthesis of the different periods of religious art. Perched on a hill, it peacefully dominates the right bank of the Orne. The visitor is greeted by a statue of the Archangel Michael, represented as a Roman legionary slaying the dragon. (link)

Century building upon century.

This was the high altar.

This was the high altar!!

I can’t emphasize enough what it felt like to be in this old building for a High Mass. This did not look like the original altar, for all it’s beauty and history, I wonder if this Church suffered a “renovation”, so one day that official description above may need to add: “21st century altar”. For all it’s ancient beauty and history, the altar looked just like the one that our very own St. Vitus priests built with their own hands under our tent.

But it was everything. The stained-glass to stare at during Mass. The sound that leaves the sides of our tent back home, echoes back to us. The sound that had to pass from the microphones through speakers can now come directly down from the choir loft. The sound of the gospel read from the pulpit above us! The priest had to ascend those stairs! We had never seen that before! Go find it in the second picture on the right side!

I was to have this experience over and over again, but mostly when the music was purposefully chant and purposefully polyphony.

(Because in Europe, there were folk-guitars too.)

This was a side altar!

Our lives have been enriched by our visit to France. I had a really hard time keeping this short. I don’t know how my life as a cantor and choir member really fits into these pages. Mr. Ostrowski encourages my blog posts, but I am really humbled by the other contributors whose lives are musical excellence.

Sometimes I think, “Jeff, I just sing!”

I will continue to share, but if anyone would like to know more about Caen, traveling, parking (!), trains, or bathrooms, please feel free to send me a message. (seekenchantaspire@gmail.com) I will update this blog post if any answers are useful.

Again, if you’re ever in Normandy for travel, Holy Mass here will enrich your spiritual life.

We found the bathrooms by asking!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 20, 2025

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“If a pope were only ever applauded, he would have to ask himself whether or not he was doing things right.”

— Pope Emeritus Benedict XVI (2016)

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