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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“What A Choral Conductor Must Know” • Interview with Dr. John Paul Johnson

Corpus Christi Watershed · January 13, 2025

HE PRESIDENT of Corpus Christi Watershed recently interviewed DR. JOHN PAUL JOHNSON, a frequent guest conductor at Carnegie Hall in New York City. His choirs have sung across the globe, on national television, and on public radio. Dr. Johnson has served as conductor-in-residence at the Chopin Academy of Music (Warsaw) and Trinity College of Music (London). He replaced SIMON CARRINGTON as director of choral activities at the University of Kansas,1 simultaneously serving as director of graduate studies. He has been chosen as guest conductor, clinician, or adjudicator for more than 700 festivals and workshops worldwide.

Pro Tip • The story told by Dr. Johnson vis-à-vis the first time he conducted at CARNEGIE HALL is not to be missed. It begins around the 18:20 marker:

Here’s the direct URL link.

Some Topics Broached:

(1) A particular conductor who’s a terrible singer

(2) Rehearsing without a piano

(3) “Audiation” for students going to a competition

(4) Dr. Johnson’s his first time conducting in Carnegie Hall

(5) Throwing a music stand through a wall

(6) Score-study after retirement (“learning music you’ll never conduct”)

(7) Those who get “sucked in” when nobody else will conduct

(8) Singers who skip rehearsal

(9) Fundraising

(10) Whether conducting is “the easiest thing in the world”

(11) Taking advice about one’s own conducting

(12) Learning from someone you trust

(13) When you hate your own voice

(14) Doing things you warn your students not to do

(15) When you hear individuals singing instead of choral sound

(16) Wowels not lining up

(17) The “waxed pear” trick

(18) Are you “convinced” when you hear a performance?

(19) The four “main things” for a choral director

(20) Dr. Johnson—like Jeff Ostrowski—has the singers themselves reflect on what they’re hearing

(21) How to “match” vowels on extremely polyphonic music

(22) Lifting the soft palette

(23) Common problems that plague students emerging from a conservatory

(24) The importance of appraising correctly a choir you’re choosing repertoire for

(25) “Tricking” choirs into singing high notes

(26) Tips on choosing repertoire from J.W. Pepper online

(27) Which classes you must not skip at college

(28) Being aware of what you don’t know

(29) Pieces every choral conductor should know

(30) The value of Renaissance choral music

(31) One of Dr. Johnson’s most cherished conversations

(32) Story about a broken pipe organ

(33) Swedish “holler” song

(34) Different “continuo” instruments

(35) Performing at Kennedy Center for Performing Arts

(36) Why it’s hard to get standing ovation in Lawrence, KS

(37) The Duruflé Requiem

(38) Conducting the “Duruflé Requiem” at Carnegie Hall

1 Dr. Johnson also held distinguished teaching positions at Texas State University and Wichita State University.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dr John Paul Johnson, Duruflé Requiem, Simon Carrington, University of Kansas Last Updated: January 13, 2025

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Corpus Christi Watershed

President’s Corner

    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski
    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Except the psalms or canonical Scriptures of the new and old Testaments, nothing composed poetically shall be sung in church, as the holy canons command.”

— ‘Council of Braga, 563AD’

Recent Posts

  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations
  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations

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